The story gives us a hero who like his namesake from Jonathan Swift's magnificent satire, is hard to like. And like Swift, Arnold is trying less to craft an adventure story and mostly commenting on the then modern world around, specifically the nature of humanity and its tendency to sloth and a degrading life of ease. Gullivar Jones is a rambunctious, exceedingly confident sailor who finds himself transported to Mars literally on a magic carpet and discovers a world full of people who want only to be left alone to live lives lacking purpose, direction, and toil. Alongside these "Hither People" are the other less urbane barbarians who Jones opposes but seems to prefer in many ways.
The story is a difficult one to really dive into, but oddly I found it more accessible on this reading. Gullivar Jones is not a hero who recommends himself really and he seems often put off by behavior which seems exceedingly altruistic. He doesn't seem to recognize real heroism when he stumbles across it. I do however like the manner in which Jones rambles up and down the "River of the Dead" and for much of the story is seen by most as a ghost. It puts him as a narrator in a rare and interesting place. The story is overripe with coincidence and offers up an ending which is abrupt and for many might seem very unsatisfying.
But the point of Gullivar of Mars is not adventure, not really. And when marketed like that as it was done by Ace Books decades ago under a powerful Frank Frazetta cover, it might well be disappointing.
And coming to the story after reading the comic book adaptation from Marvel Comics, which emphasized the adventure would set one up for a surprise as well. There's not so much blood and thunder in this story as one might expect, but it's a sturdy story decently told.
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Gullivar Jones (and Ka-Zar) appeared in my first ever Marvel comic, Marvel UK's Planet Of The Apes No.5 in November 1974, so I was aware of his Martian adventures before I'd ever heard of John Carter.
ReplyDeleteLike so much stuff from that era, I'd love to see these get a collection. Gil Kane's early installments are superior stuff and later I think George Perez did some of his earliest pro work on the series.
DeleteI seem to recall that Marvel/Roy Thomas was just pulling in any fantasy property they could cheaply adapt to comics, and they did it in a way that tended to all follow the same Marvelization formula. Clearly they grabbed Gullivar Jones because they wanted to do John Carter.
ReplyDeleteYou bet. They almost pinned their hopes on Thongor of Lemurias and Gullivar of Mars. I like them, but I don't see monster sales for either. It's difficult to imagine a time when all these properties were so cheap you could get them for hundreds of dollars or maybe even less.
DeleteIf they looked like that cover the sales might've been healthier.
DeleteThat brief sweet moment when Steranko was doing covers! They are awesome but so very, very few.
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