Beware The Creeper!

Beware The Creeper the title says and it's no small warning. The Creeper was one of Steve Ditko's remarkable and memorable additions to the DC universe when along with other Charlton talents such as Dick Giordano, Pat Boyette, Sergius O'Shaugnessy, Steve Skeates, and Jim Aparo landed on those halcyon "House of Krypton" shores. The cover above is my favorite image of the Creeper, his posture all bent and the water oozing and dripping, a deadly "Menace" looming behind him. Ditko did his heroes proud with this one especially Will Eisner. 

But before that debut issue, we were first told to Beware the Creeper in Showcase #73. In this issue WHAM tv reporter Jack Ryder runs afoul of a bunch of thugs led by Angel Devlin and in the course of his adventures gathers the odd bits of his bizarre costume and meets Professor Yatz who is the man who uses his new inventions to give the Creeper his new powers. A fluid is injected into the wounded Ryder to save his life and a device is implanted beneath his skin which allows him to alter his appearance with the press of a button. 

I'd seen the Creeper in other comics drawn by Neal Adams and Dick Dillin, but the first time I was able to read this debut story plotted and drawn by Ditko and written by Don Segall was when it was reprinted in on of those juicy giant 100-Page Detective Comics issues which made DC so alluring at the time. 

It would many a few decades before I got my mitts on the Showcase issue itself as well as the original Beware the Creeper run. 

The Creeper's main enemy in most of the issues of the original series was Proteus. Proteus was a man who could be anyone, could alter his features and sneak up behind you at a moment's notice. Proteus seems to have been killed after their first encounter but that doesn't prove to be the case and in stories written by Sergius O'Shaugnessy (Denny O'Neil).

"The Isle of Fear" finds the Creeper on a long-lost island remarkably close on which an old society has been put upon on modern criminals eager for a safe haven from the law. 

As Creeper's fight against Proteus continues he gets new cast members such Rip Cord who join regulars his boss Bill Brane and self-absorbed weathergirl Vera Sweet, who sometimes afflicts Jack and at other times gives him a hand in his investigations. 

It's notable that Denny O'Neil seems to take on more of the plotting and scripting control as he sheds his "Sergius O'Shaugnessy" identity. Inkers join up such as Mike Peppe and give Ditko's pencils a different and frankly less effect look. For the most part, this era of Ditko always looks better when he inks himself.

In the sixth and final issue of the original run under this handsome Gil Kane cover we have only a part of a Ditko issue with journeyman Jack Sparling finishing up this final Beware the Creeper tale, at least for the time being. I an only imagine that Ditko has once again sought greener pastures as he leaves Hawk and Dove too, in the capable hands of Gil Kane it's to be noted. 

But Steve Ditko will return to DC and to the Creeper, but more than a few years will pass. 

In 1975 the mavens at DC Comics decided to give The Creeper another try-out on the newsstands and to that end the seventh issue of 1st Issue Special was pressed into service. This featured a story drawn by the Creeper's creator Steve Ditko. One curious detail about the cover above is the tiny detail of the dog and fire hydrant. (You can almost see them.) This cover was designed by Carmine Infantino and handed to Ditko to finish and to show his displeasure with such an arrangement he has that pup show its disrepect to that hydrant in the natural and time proven fashion. 

In this singular issue Creeper finds himself battling the Human Firefly, a hood just busted out of prison and aching to remake his reputation. The Firefly was a vintage Batman villain first and last seen in Detective Comics #184 from 1952, about the time Ditko was first breaking into comics. The script for the story was by Michael Fleisher, and Mike Royer inked Dikto's pencils. But Ditko wasn't done with his creation, he had more Creeper stories to tell. 

The try-out sparked a revival in the back pages of World's Finest beginning with issue #249. 

The Creeper was rarely featured on the covers, though his smiling yellow mug and lustrous green motop was nestled alongside the logo with the other back-up features face in this densely packed dollar comic. All the stories were written and drawn by his creator Ditko. 

The stories in these issues have a much broader comic feel than the original series had shown nearly a decade before. The Creeper is working for Cosmic Broadcasting as part of a security team. 

Joining his cast are his boss Sam Hagen along with spry blonde dame named Fran Daye and a galoot named Dump. One odd detail is that a fly always seems to be hovering around Dump's head. 

The Creeper comes up against new baddies like The Disruptor and a lug called simply the Monster. He also has to deal with the return of Angel Devlin who was instrumental in the origin of The Creeper in his very first story. 

Apparently there was some thought to busting the Creeper out into his own comic again, but the infamous DC Implosion put the skids to that idea. The issue of Showcase #107 would have allowed The Creeper to return to his place of birth but it was only seen in the Cancelled Comic Cavalcade #2 for many years. Creeper does rate an appearance on both of the CCC covers though. 

This is a wild wild issue with two double-page splashes and a cameo by Ditko's Odd Man. (The Odd Man was touted to have a back-up feature, but the implosion ended that aspiration.) 

And that's a wrap on The Creeper, at least as produced by his maker Steve Ditko. The Creeper did prove somewhat popular and did get around for some time by dint of other talents. 

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The Hawk And The Dove!

A comic for a our times, ripped from the headlines of the day. The Hawk and The Dove was a curious piece by Charlton alumni Steve Skeates and Steve Ditko, a tale of two brothers caught in a struggle which was at that time both private and public. The United States warred with itself about the war, the Vietnam War (we just called it "the War" back then) about the validity of it and even more about the sacrifice of life for a cause which seemed abstract and remote. We fight today across the globe, but because we don't demand the that the youth of our time commit to that struggle, we are able to glide along calm cool and collected that others will do the fighting we deem necessary. It's an eternal debate, not that war is a necessary evil, but that we need advocate evil here and at this time.

That was the battle between the brothers Hall. Hank was a "Hawk", an advocate for violent intervention and his brother Don was a "Dove", one who argued for peace in our time. They were split ideologically and when they were offered the chance to acquire the power to pursue their beliefs by the supernatural powers of Order and Chaos they do so, becoming two sides of a coin dedicated to justice. In the debut issue in particular, one can see Ditko's Objectivist philosophy informing the desire for logic and not passion to dictate society. 

According to reports, Steve Skeates wanted to show that both methods could reap justice and that Dove's peaceful approach was often as effective as Hawk's more aggressive approaches. But he claimed that editorial often switched it up so that Dove came across as not just regretful for violence but downright weak in the face of a threat. Instead of showing a balance between two attitudes, each with some measure of merit, it became in the eyes of Skeates a rejection of peace and a advocacy for violence.

Skeates worked with Gil Kane when Ditko left DC and after Skeates left the book, Kane wrote as well as drew it. After the book's cancellation Hawk and Dove became a sometimes part of the Teen Titans lore and many years later things changed even more, but that' s for another day.

For all their flaws these stories deserve a place on the modern bookshelf. It seems they have been collected in an enormous Teen Titans volume, but I'd love to see them available for a less impressive price in a more easily read tome. With work by giants of yore like Ditko and Kane and Cardy, it seems an easy bet to me.

Here are the covers.

Steve Ditko left the book after the second issue. He also left DC entirely after an all-too brief tenure. 

Gil Kane and inker Sal Trapani join forces with Steve Skeates to keep the series alive and running. To be honest I think Kane's more fluid version of the duo is actually more visually interesting than Ditko's. 

Gil Kane becomes both the writer and artist on the series. This issue was inked by Wally Wood. 

In an apparent attempt to help the Hawk and Dover comic gain traction with readers, the duo crossover with the Teen Titans both written and drawn by Neal Adams. 

After rescuing their dad from a kidnapper, the team question whether continuing as Hawk and Dove is a useful thing. This is the final issue. 

(All the early Hawk and Dover stories are contained in this handy paperback.)

(This collection only contains the three stories Ditko worked on.)

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Thunder Agents Classics Volume Six!

This is my review of the sixth and final volume collecting up the original run of Tower Comics' T.H.U.N.D.E.R. Agents (including spin-offs Dynamo and NoMan) as collected by IDW. While these reprints are not ideal in every way, they are handsome enough and offer the vintage 60's saga in a handy-to-read format unlike any I've possessed.

These tales are less impressive than their mighty legend, not unlike the beloved EC Comics, but nonetheless they are worthy stories which showcase the strengths and weaknesses of Silver Age comics thoroughly. Wally Wood and company (Dan Adkins and Ralph Reese mostly) are at their best as are Steve Ditko, Gil Kane, Chic Stone, Reed Crandall, and so many others. Artistically George Tuska and Mike Sekowsky turn in some strong work but alas the stories lack much of the spy glamour which attaches to the more atmospheric Wood stuff.

Here are the final issues of the classic original run which are included in this latest volume, which sadly does not feature one of these great recreation covers by Ryan Brown. This one is only credited to Wally Wood, though clearly it's been given a brush up. All the new material from the final issues is here right up through the finale which featured only a few pages of fresh material.

There was a delay of many months between issue seventeen and eighteen of the run. The cover of the eighteenth issue is by Reed Crandall and the nineteenth is a composite. 

A full year passes before issue twenty hit the stands. It's almost all reprints with only one new quick story reprising the origins of THUNDER and Dyanano. The cover is by Chic Stone. 

Next week the focus will be on that other Tower super agent. 

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Thunder Agents Classics Volume Five!

I've very much enjoyed reading these vintage stories as IDW has continued the reprints despite the failure of the new material to find a footing. Wally Wood's influence is still evident, but his role is beginning to diminish in these stories as the series continues to its inevitable end. This features the first of the THUNDER titles without a Wood-esque cover, but rather clearly a Gil Kane effort (see below).

Dynamo continues to have problems with his powers, specifically his belt. Seems he's always getting captured and NoMan in particular gets weary of having to turn the belt on for him. So. in an attempt to improve the belt the powers at THUNDER give it the ability to respond to a word. If Dynamo's similarity to Captain Marvel (now Shazam) wasn't already strong it is made more so when he has only to say "Excelsior" to gain his strength and invulnerability. I can't help but think that there's a nod to Stan "The Man" as well. Later he goes to a distant planet to fight mysterious aliens on their home turf. Dan Adkins is taking a stronger hand in the work at this point. Len Brown's love life is mostly a disaster as always. 

Andor shows up in a Wally Wood story titled "Return Engagement" with pencils by Steve Ditko and Dan Adkins, and his outsider outlook is strengthened by his change to a hippie of sorts, albeit a hippie with powers. Ditko is also well represented with a delightful story featuring Weed titled "Once Upon a Time". Lighting continues to have problems with his own powers and ends up the volume in suspended animation when his body rebels. Raven gets a makeover and thanks to Gil Kane takes part in a wild action-packed adventure that changes his direction. NoMan plows ahead losing bodies by the dozens but still stopping SPIDER, the new gangsters on the scene. 

With the cancellation of UNDERSEA Agent we get a story from that series stuck in to help pad out an issue. It's good and all but out of place in tone and art. 

Here are the issues in this volume.  Issue twelve's cover was apparently based on a Larry Ivie design. Ivie being a person who seems to take a bit too much credit for his contributions to the Agents, though he was present. 

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