The creator of Quatermass and writer Nigel Kneale posited three methods that the Earth might encounter extraterrestrials -- we find them, they find us, they've always been here. In the three main Quatermass yarns he explores each of these scenarios. With The Creeping Unknown he explores what happens when man ventures into space and brings home something dangerous.
Of course Quatermass refers to Dr. Quatermass, the leader of a rocket group dedicated to getting mankind off the planet and into space. To that end of course dangerous missions are undertaken and one such mission ends tragically when the rocket returns to Earth in a farmer's field. The only survivor, in fact the only man aboard the vessel is overcome with some sort of infection which is steadily stealing his mind and transforming his body as it has more swiftly done to his compatriots.
The Creeping Unknown is on one level a classic science fiction monster movie with an eventual giant creature threatening the population. On a second level it's also a horror film following the slow and inevitable destruction of one man's self as he is transformed. What makes this transformation so potent in many respects is that the man himself never speaks but only communicates through posture and through his eyes the desperation.
It's well documented that Nigel Kneale's opinion of Brian Donlevy, the American selected to portray Quatermass, is quite low. It's equally documented that Val Guest, the director of the cinematic verson of the story found Donleavy with his abrupt surly attitude to be an excellent choice. The disagreeable combative nature of Quatermass reminds me of Arthur Conan Doyle's second great creation Professor Challenger, the often agitated protagonist of The Lost World and The Poison Belt among other tales.. I'm always impressed with the professional craftsmanship of British monster movies and always know when I'm watching one the story will make sense.
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The House of Hammer b/w magazine adapted Quatermass Xperiment into a comic strip in the early 1970s...
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