Sunday, September 11, 2011

My 9/11 Anniversary Post!


I'm not much in the mood to spend my day reliving September 11, 2001. So I'll be spending the day trying to behave as normally as possible and stay away from the sadly cloying television coverage. I'm sure there will be some truly legitimate events today, and I wish them well, but I don't want to be a part of all that.


Save for this. The best comics material related to 9/11 are the two books by Harvey veterans Sid Jacobson and Ernie Colon. One is a comics adaptation of the 9/11 report and the other deals with those events which developed later.


Also of note is Art Spiegelman's In the Shadow of No Towers about that tumultuous time in New York City.


And finally there's Herb Trimpe's wonderful tome about his work as a chaplin at Ground Zero titled The Power of Angels. It's not comics, but it's well worth reading.

UPDATE: I did not plan to catch any 9/11 stuff today, but I stumbled across this documentary on the History Channel. It's titled 102 Minutes That Changed America and it is assembled video from many sources following the narrative of that morning. It is raw footage and doesn't suffer from some news personality trying to put the events into "context". This is moving stuff. Here's a link to the full documentary.

102 MINUTES THAT CHANGED AMERICA

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Saturday, September 10, 2011

The Rocketeer Adventures Review!





Just finished reading through all four issues of IDW's Rocketeer Adventures. The contents of the four issues include eleven comic short stories, one prose adaptation, and seven poster shots featuring either Cliff Secord the Rocketeer, his best gal Betty or both.


The talent assembled for this project is impressive. Mike Kaluta, Mike Allred, Darwyn Cooke, Chris Weston, Geoff Darrow, Ryan Sook, Bruce Timm, Scott Hampton, Mike Mignola, and John Cassaday are just some of the artists who take a crack at the characters. Writers include Dave Gibbons, Mark Waid, Kurt Busiek, and Joe Lansdale among others. All four issues feature robust Alex Ross covers, though alternate covers by Rocketeer creator Dave Stevens are available for all issues by adapting artwork created for ads and other things.

I love the Rocketeer, and I think that Stevens created one of the great comics of all time when he slowly but surely over the years assembled this saga which evoked the best of the pulps and serials and other details of vintage pop culture.


But alas I have to say that ultimately as finely crafted as these stories are, they lack that certain magic that makes the original stories buzz. This is no slight against the talents assembled, and I'm not saying these stories are bad by any means, but they don't give me the same excitement I had that the original did and still does.

And it all adds up to the fact that none of these talents can really change the status quo of the series, so most of the stories seem to amount to homages to the characters. They give us glimpses of the times and the people, but don't really engage us. Most of the tales have Betty getting hit on, Cliff getting sore, and the Rocketeer often as not bumbling into action and somehow saving the day. There are some clever twists in these stories, but they rarely rise above "clever".


An exception is the story by Joe Lansdale, a prose tale illustrated by Bruce Timm which seems to have enough difference to keep bad comparisons at bay. This points the way to perhaps some successful additions to the canon later by way of prose as opposed to comics.

Darwyn Cooke's spin on the character pretending him to be a serial hero and giving us just one neat chapter was pretty nice too, with some good spins on the characters.

Also above average was Kurt Busiek's and Mike Kaluta's WWII take on the character which pushed the story into their future seeing the end of the war and the result. This is the kind of change needed to really make the series succeed. We need commitment that these characters will grow, and this story as opposed to many of the others hints at that growth.

I want to love this series as much as I love the original, but that's not going to happen. I like it for what it is, but its limitations keep me from truly falling for these well-crafted but often cold versions. I remember this was a problem too many years ago when Kitchen Sink tapped new talents to try their hands at Eisner's The Spirit.


I don't want to see Rocketeer continue with any more new stories, that is unless they commit to seeing the story really progress. I doubt that will happen, but there is a bit of hope in a few of these tales. I can see that more tales having to do with plans for other versions of the rocket pack getting into the wrong hands might trigger new stories. But I'd have to see the talent put together to do this first.

I recommend this limited to one and all, though I don't think the armada of alternate covers is really necessary though the straight image Stevens covers are sweet to look at. (I have only the Alex Ross ones myself and eventually I might add the Stevens covers too.) But don't imagine this is the Rocketeer you remember, it's merely a shadow.


But sometimes even shadows can be quite fetching still.

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The Dashing Mr.Dedd!








For a short time following the untimely death of Rocke Mastroserio, Jim Aparo was the go-to cover artist on Ghostly Tales. There was work by other greats like Pat Boyette and Steve Ditko, but during 1969 and 1970 Aparo did seven very striking covers.

All of his covers feature the comic's ghost host Mr. I. M. Dedd.
And Aparo gives his Mr.Dedd a rather heroic and handsome appearance, in contrast to the wizened old character Boyette rendered or Ditko's crazy old cackler, or even the crusty old character Rocke Mastroserio had originated. Aparo's Mr. Dedd is downright dashing.

On an extra note, the cover of issue #78 they even lifted Aparo's drawing of Mr.Dedd from issue #75 and fitted it over some vintage Steve Ditko work.


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Friday, September 9, 2011

Dress For Success!


It's apparent that Richie Rich, a most successful kid, knows what he wants to wear.


It makes the burden of the daily grind much easier, when one decides to wear the same style all the time.


And it can't hurt to have a dedicated and appreciative staff to assist with those choices. It's comforting to be conservative.


For clearly when Richie goes for another look things can go horribly wrong.


But always his winning ways come to the fore regardless.

And here's an intriguing article by a reformed/retired Republican worker named Mike Lofgren who calls out the "Richie Riches" of the world and shows how the Republican party of today works so diligently to see that the wealthy keep what they've harvested. It's an enlightening and insightful peek behind the scenes at where they keep and work the levers of power. The Democrats are quiet co-conspirators for the most part and deserve disdain, but the Republicans are true villains of our day for certain.

Here's the link.

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Thursday, September 8, 2011

Gremlins In Derby!


Above is the cover by Joe Staton for the cover of Ghostly Tales #117. This has long been one of my favorite pieces by Staton, a dynamic cover with an arresting critter on the attack.


Here's the artwork for the cover of the comic.


This cover was done for a story written by Joe Molloy and drawn by the great Steve Ditko titled "Gremlin in the Cockpit".

What's ironic is that this story was apparently mostly destroyed in transit back from the engravers and was rescued by George Wildman who cut out the parts of Ditko's artwork not totally ruined. Those bits of classic Ditko art have shown up at auction.

See this link for more.

I guess it's only fitting that a story about destructive gremlins should suffer such a fate. It's a pity, but ironically valid somehow.

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Wednesday, September 7, 2011

Pete's Phantom!

Pete Morisi

Back in the days when Charlton had control of the Phantom license, they were trying to find a way to make Lee Falk happy and make the series successful. This is the period of time when ultimately Don Newton would take control of the series and brand it for all time with his distinctive approach.

Also putting forth an effort to snag the Ghost Who Walks was Pete Morisi, better known by pseudonym "PAM", the part-time artist and full-time policeman who gave us Thunderbolt, Vengeance Squad, and Outlaw Kid.


As can be seen by the sample page above, showcased in Charlton Bullseye #5, Morisi's take on the Phantom would've been awesome.

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The Day After Harvey!


When I stumbled across this Richie Rich and Casper team-up I was reminded of another image.


Mayor Bloomberg's worst nightmare!

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