DC Ditko Mystery Tales!

In the late 1970's and early 1980's Steve Ditko turned his attention to work at DC. Charlton was drawing back from the marketplace and Ditko needed places to draw comics, and despite his independent work, DC was a good place to get a check. In addition to some creative series which we'll get around to next month, Ditko also drew many stories for the myriad horror and science fiction comics that DC produced during this era. In comics such as House of Mystery, House of Secrets, Ghosts, Weird War Tales, Secrets of Haunted House, Mystery in Space, Time Warp and Unexpected Ditko brought to life many a monster and creepy crawler. These stories are collected in The Steve Ditko Omnibus Volume One. Actually, the first two short stories in this collection are from 1964 from two issues of Strange Adventures. Then we leap to the later material written by such DC stalwarts as Jack Oleck, Jack C. Harris, Len Wein, Paul Levitz, Michael Fleisher, Arnold Drake, Steve Skeates among others. Ditko even writes the last story in the volume himself, a wacky yarn named "Em the Energy Monster". 

Sadly, Ditko only drew one cover for DC's haunted books during this era, for House of Mystery #277 seen above. Below are the comics in which Ditko stories appeared and the covers are by a host of talents such as Jack Sparling, Mike Kaluta, Berni Wrightson, Neal Adams, Dick Giordano, among others. But most are by the great Joe Kubert who was the master of DC covers during this time. 

E

Above is the cover for The Steve Ditko Omnibus Volume One. With Shade the Changing Man getting the cover attention, you'd never realize wealth of weird tales inside by one of the genre's finest. 

Rip Off

Emergency! Emergency!

Charlton's 1976 runs of Emergency reminds me of a time, not all that long ago when. E.M.T.'s as we call them in America (Emergency Medical Technician) were not a commonplace in society. It's quite normal now to hear the sirens and if in traffic pull out of the way to let a vehicle pass which is responding to some medical situation. I've had them at my house more than once to help with some of my late wife's emergencies. But there was a time when they didn't exist. When such dire events were handled by the cops or ambulance crews alone. Emergency the TV show documents the invention of the concept in a fictional setting. 

The magazines were written by Charlton staff such as the always ready Joe Gill and Nicola Cuti and the artwork came from Continuity Associates, a gang of up-and-coming artists also known as the "Crusty Bunkers" under the guidance of Neal Adams and Charlton veteran and former editor of the beloved "Action Heroes" line-up -- Dick Giordano. The fourth issue of the magazine was more of a Charlton in-house affair with Jack Sparling pitching in. The covers of the last two issues were painted by Earl Norem. 

The comic books were handled by completely different talent from inside Charlton's ranks.

The debut issue of the comic was and maybe still is quite collectible because it was drawn by the soon-to-be star John Byrne. Joe Staton supplied the cover for this debut effort. 

Joe Staton did the cover for the second issue well, but Byrne was gone and by the third issue both were replaced by Jack Sparling among others.

These tales of Rampart General and the two fireman who became medically competent before our eyes are a pure example of the type of TV one could rely upon in the 70's. The shows have more than a little rust on them these days, at least in my opinion, but not unlike other shows from Jack Webb's operation, showcased to some extent the workaday worlds of those we now call "First Responders".

Rip Off

The Six Million Dollar Charlton Cover Gallery!

The Six Million Dollar Man was a hot property. So how does it come to pass that Charlton and not Marvel nor DC gets the license to produce comics based on the series. Who knows? Maybe it was a simple question of no one else asked. Comics were in a somewhat tough shape at the time. Charlton created a character which was synthesis of the TV Steve Austin and other elements from the original novel Cyborg by Martin Caidin. 

 They also produced two different versions at the same time, one a regular sized color comic and a black and white magazine version. Neal Adams and his boys at Continuity Associates handled the artwork on the B&W books in the beginning with Adams supplying two pretty great covers for the first two issues. The writers for the series were the sturdy Joe Gill, Nick Cuti and Mike Pellowski. Later in the series, Jack Sparling took the reins and even editor George Wildman contributed. 

Charlton's color comic version began featuring the alluring artwork of Joe Staton, but soon the Continuity Associates had a hand with Neal Adams producing one cover. Joe Staton handled the first four issues before being replaced by Demetrio Gomez. Eventually the Pat Boyette and Fred Himes duo took over the work. Jack Sparling added a cover here and there. Joe Gill and Nick Cuti were the writers for the series. 

The Bionic Woman was a second color series and Jack Sparling handled the artwork on all six issues of the series. Jack Sparling was the artist for the entire series. Joe Gill is credited with the first issue and likely wrote the rest as well. 

Charlton's efforts for the Six Million Dollar Man licenses are fairly typical of what the company had mostly done over its long history, produce comics of immediate interest for niche audiences. These were gems in their day and are even more valuable in the modern day. To my knowledge the material has never been reprinted domestically. 

Rip Off