Showing posts with label Robert Heinlein. Show all posts
Showing posts with label Robert Heinlein. Show all posts

Sunday, May 25, 2014

The Astounding, The Amazing, And The Unknown!


The Astounding, the Amazing, and the Unknown by Paul Malmont is a rousing sequel to his novel The Chinatown Death  Cloud Peril, about the here-to-fore unknown adventures of pulp writers Walter Gibson and Lester Dent (both are also on hand for this adventure too). After too long a delay, I've at long last gotten around to reading this delicious story. This tale is set a few years later during 1944 when the momentum in the second World War was shifting to the side of the Allies (though of course they couldn't know that then). One of the best aspects of this novel is the way it presents the dread permeating the society as a deadly war engulfed the imagination and the resources of the entire globe.


At the center of this sprawling yarn is Nicola Tesla, the celebrated (now) genius who had among other things in his famous career tried to give the world free global communication and possibly power in 1908 with the Wardenclyffe Project, a grand mushroom-shaped tower which would broadcast energy worldwide. It was an unfinished project, which in our real world is becoming a museum to celebrate Tesla, but in this novel its the centerpiece of several schemes to possibly control the planet, if it works that is.


Drawn into this mystery are Robert Heinlein, L. Sprague DeCamp, and Isaac Asimov, three pulp writers collected by Astounding editor John W. Campbell as a braintrust of sorts for the military, their mission to dream up the war toys of the future before Hitler's boys do the same for the dictator. The center of their work in the city of Philadelphia is an experiment to render a battleship invisible to mines and possibly radar. We meet the men, their wives and their lovers as they wrestle with  each other, their superiors, and the enemy to accomplish their mission. The real and the fictional blend in fascinating ways in the hands of Malmont, a sure and confident writer.


Also along for this wild ride is one Lafayette Ronald Hubbard, another pulp writer who has had less than a distinguished Navy career and finds himself tagging along and finally apart from the above gang of writers as he follows his own part of the elaborate mission. His bizarre personal life, which includes peculiar and eccentric religious rites and strange sex, resonate through the story of what I might even call "the secret history of Scientology".

On display in a way which I've never quite seen is the world of fandom itself. These writers are strong personalities and they have history, history which is quite unseemly at times. Their feuds are at once funny and exceedingly callow, but we get a sense despite all that, these are men who truly believe in something outside themselves, wishing for something better and newer for the entire world.

We hear of a real-life story titled "Deadline" by Cleve Cartmill which scares the United States government so much they send agents to investigate what must have been a leak of national secrets. We meet other writers such as Norvell Page, Hugh B. Cave, Fred Pohl, and Ray Bradbury. We encounter celebrities doing service for their country like Jimmy Stewart and Albert Einstein. The story goes from Philadelphia to Alaska to New York City to the South Pacific and back again.

There's a lot going on in this novel which grabs you and never lets go. The story is full of humor and real danger, not just for our protagonists but for the world itself. We visit remote parts of the world and see little discussed parts of the great war. This is a rich novel which at once celebrates its pulp writer heroes but at the same time makes them human in ways which make you care about them even more.

Highly recommended reading.

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Wednesday, August 29, 2012

Destination Moon!


Destination Moon was something of an epic 1950 sci-fi flick justly famous for its authentic feel and sense of overall reality within a concept which at the time was pure speculation and anticipation.


The movie, an ode of sorts to venture capitalism in space, was written in part by Robert Heinlein, and featured the artwork of Chesley Bonestell. Fawcett published a concise and effective adaptation of the movie in 1950 scripted by Otto Binder featuring artwork by Dick Rockwell and Sam Burlockoff. To read it check out this link, then this one, and finally this one. But then Fawcett's assets were taken over by Charlton after their demise, and this property was reprinted many times.


First in 1956 in an issue of Space Adventures under the new and far less dramatic title of "First Trip to the Moon". They use the splash page as the cover this time.


Then again a few years later in 1958 in later issue of Space Adventures, this time titled on the cover "Space Trip to the Moon". This issue sports an interesting Charles Nicholas and Vince Alascia cover.


After the collapse of Charlton Comics, Richard Broughton bought many of its assets, including those the Derby Publisher had gotten long ago from Fawcett and began his brand ACG/Avalon which reprinted the story first in 1997. The splash page is back in service as the cover art.


A few years later in 1999 it was reprinted yet again.


A whole other adaptation of the story was created in 1950 by DC Comics for the debut issue of Strange Adventures, this one featuring scripting by Gardner Fox and some tasty Curt Swan and John Fishcetti artwork. It hit the stands at almost the same time as the Fawcett version, if not a wee bit sooner. Check it out at this link.


At that same link you can also read this whole other third adaptation, a prose version for the debut issue of Captain Science. (Thanks to BrittReid, a friend of this blog, who operates Secret Sanctum of Captain Video for all the great material; it made life easy one-stop shopping when I decided to research this subject a few days ago.)

This tale has told and retold, sold and resold many times thanks to clever marketing and the glory of public domain.

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