Judomaster - Man Without A Country!

Judomaster #91 is dated October 1966. The story and art are by Frank McLaughlin. The issue picks up immediately after the events of the previous issue. 

The Judomaster story this time is titled "Man Without A Country!" and begns with the "Crimson Crusher" (one of two nicknames used for Judomaster in the series, the other being "Scarlet Smasher") diving onto a junk in the harbor and finding it operated by beautiful woman, an agent sent to pick him up by General Hawkins following his escape from the Japanese. Her name is Sylvia Coates and she says she is the daughter of a missionary who was killed by the Japanese and so she works to thwart them. She takes Judomaster back to the island where he was trained and he is reunited with Suzi and his mentor Bushiri. They indicate they know that his role as a "traitor" is a ruse. Next we see Rip Jagger in General "Hawk" Hawkins office getting his orders for his next mission. That mission takes him to Wyoming to infiltrate a Japanese internment camp in which a security leak has been discovered to exist. Rip poses as a guard at the camp and quickly follows a young Japanese-American boy and finds "The Cat" a notorious Kendo master and a many of mystery who has his face hidden at all times. Rip discovers that secrets are being transported out of the camp by use of hollow chopsticks. The next day Rip finds The Cat all decked out in his Kendo rip, battling two opponents but using tricks to defeat them. Despite this the young boy clearly idolizes the The Cat. 

The Cat takes issue with Rip's criticism and strikes him and Rip challenges him to a battle that The Cat says must be to the death. The agree to meet early the next morning. Rip brushes up on his Kendo technique then puts on his Judomaster costume, all the while being watched by the young boy. He heads off to his duel with The Cat and the begin a battle that lasts through the morning. Finally the younster throws a rock that strikes Judomaster giving The Cat the advantage. The boy did it help his hero The Cat save face, but The Cat's merciless desire to kill his weakened foe makes the boy see the flaws in his hero and he helps Judomaster after Judomaster fends off The Cat's first attack. The battle continues for a few moments but The Cat falls from a cliff. His fate is somewhat unresolved, but I guess we are to assume he died. The boy admits his mistake and wants to go with Judomaster, but is denied. Later General Hawkins gives Rip Jagger new orders to break up an international spy ring and he flies off to complete his mission. But he discovers that the young boy has stowed away on the plane. 

The second feature in this issue is the debut of Sarge Steel or really the continuation of that feature sliding from his own book into the back of Judomaster. There are no credits, but the feature is certainly drawn by Dick Giordano and GCD says Joe Gill did the script. Titled the "Case of the Double Agent" this is File 110. It begins with Sarge Steel shooting an astronaut as he approaches his rocket. It turns out the victim was a foreign agent posing as an astronaut and he poisons himself before he can be questioned. Sarge knows that the spy was sent by Irena Dubaya, a dangerous foreign agent who just happens to have a bug on Steel and plans to take her revenge. She poses as a replacement secretary for Sarge in his Private Investigator office but he recognizes her and then decides to pretend to become a double agent offering to sell his services to the highest bidder. She eventually offers him a job as a double-spy but not before he has beat up a few of her thugs with his steel fist. She takes a photo of his first payoff and Sarge realizes he is playing a most dangerous game as the first part of the story ends. 

"Flips and Counters with Judomaster" closes out the issue and it offers up three letters from fans. All are flattering, some more that others, but many ask about the design of Judomaster and its obvious connection to the Japanese Empire. The editors indicate they feel enough time has passed but they were nervous about the choice. Also included on this page is a biographical sketch of Frank McLaughlin who is called the "Creator-Writer-Artist" of Judomaster. A photo of McLaughlin is also shown. 

For the completist let it be known that "Judomaster's Self-Defense" is a three-page feature narrated by Judomaster in the pages of Thunderbolt #52. It is written and drawn by Frank McLaughlin and focuses on "Ouchigari" an inside leg reap and "Tomoenage" a stomach throw. 

You can feel that the series is getting itself together a bit in this issue. The characterizations are strong, and the action is pretty dandy. There is a great full-page splash of the fight between Judomaster and The Cat. Overall, you can really tell that editor Dick Giordano is wanting to give his Action-Hero books a distinctive if somewhat Marvelesque feel in their tone. 

To read the complete comic book go to this link. 

 More Judomaster to come. 

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Judomaster - Traitor!

The saga of Sgt. Rip Jagger, The Judomaster continues in Judomaster #90 of the run. The issue is dated August 1966 and the book is issued bimonthly from Charlton. And for the record a subscription for the entire year would be 70 cents. I miss the good old days. There are no credits for this issue, but clearly Frank McLaughlin is at the helm on art and almost certainly on the scripting as well. 

The first story is titled "Judomaster...Traitor!!" and begins with another symbolic splash showing Judomaster on the radio in the presence of Tokyo Rose imploring his American comrades to surrender to the Japanese. Then we are told of a Japanese missile capable of destroying any large city in the U.S. The story begins properly in the Pacific on the island where Judomaster first got his start as Rip Jagger is walking through the jungle looking for his guerilla comrades. He's attacked but it's Bushiri, his mentor who takes him to Sensei and the waiting arms of his apparent romantic interest Suzi. Then things get down to business as Sensei informs Rip that they have developed intel that will allow him to get to the missle and destroy both it and the plans for it. Bushiri takes Judomaster and some other island guerillas to the local Japanese airstrip where they overcome the guards and Judomaster steals a Zero which he uses to strafe the enemy then fly the missle location. Meanwhile a message is sent to General Hawkins who now confirms that he's aware of Rip Jagger's dual identity as Judomaster and also of a secret scheme to get information out of Japan, but a plan he hopes not to use. Judomaster uses the Zero in a Kamikaze run to blow up the missle while he parachutes out at the last moment. 

In Part II titled "Tokyo Express" Judomaster steals a motorcycle, defeating some Japanese troops to boot, then motors off to the Japanese command post which he crashes. Using speed and surprise he catapults himself from the motorbike and crashes through a window into a meeting of Japanese generals where he finds the missle plans and burns them. His escape goes rather smoothly as he exits the buiding, locates his bike and heads off. But a bullet wrecks him and he has to fight off many soldiers until he is at long last knocked out and taken to the base commander who has a particularly beefy fellow beging beating the restrained Judomaster. There is this secret plan Hawkins had alluded to earlier but to make it work Judomaster must take a pretty severe beating which he does before he at last taken to another location on the base. There he is taken into a radio room where he meets Tokyo Rose herself and he pretends to turn traitor and implore the American forces to surrender. This is it turns out a coded message to Hawkins who knows then that the missle and the plans have both been destroyed and a counter attack can commence. Judomaster then breaks free from his captors and escapes. But his message has been heard by thousands of troops and they now believe that Judomaster has become both a coward and a traitor. That plot thread is left to develop in the next issue as this story comes to an end. 

There are three additional features in this issue. The first is the initial instalment of "Flips and Counters with Judomaster" the proposed letters column. In this first one there is a message from Editor Dick Giordano asking for letters to fill up the column in future issues. He also hints of exciting new features to appear in upcoming issues. 

This is followed by a two-page comics feature by Pete Morisi (uncredited but certainly him) titled "The Roof of the World - Where Thunderbolt Was Born" which gives information about the Charlton hero Peter Cannon - The Thunderbolt and about how he gained his powers from intense training in the Himalayas among the monks there and from intense study of the Scriptures of Lamaism. There is the suggestion that any human can achieve these abilities with work and focus. 

The text feature in this issue is really strange and it's titled "Melifera Asamsonii on the Warpath" and talks about how the world by ultimately be destroyed by insects, specifically Africanized bees. The term "killer bee" is not used but this is the same species. Also there's talk of super ants and of potential use of both bees and ants as weapons in war. 

You can tell that the intention with Judomaster is to develop a hero with some aspects of the Marvel magic, essentially heroes with problems. Making Judomaster appear to be a traitor would appear in this issue to be a background story that will develop over time in the series. That will remain to be seen. There was less emphasis on the pure martial arts aspect of the series this time and more just plain rollicking action. 

To read the complete comic book go to this link. 

 More Judomaster to come. 

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Judomaster - The Mountain Storm!

The second issue of Judomaster is numbered #89. That's because this issue, dated May-June 1966 is a continuation of another series Gunmaster which was actually a continuation of yet another series Six-Gun Heroes. If it's Charlton, you can be sure it's confusing. So, the ballistics are turned in for bare knuckles. 

The lead Judomaster story is in two parts. Part I is titled "Prisoner of War". Both story and art are attributed to Frank McLaughlin. After a symbolic splash with Judomaster battling a giant sumo wrestler in a prison camp, we leap to page two and story begins with Sgt. Rip Jagger being called into the office of General Hawkins. Hawkins asks Jagger to volunteer to go behind enemy lines and infiltrate a Japanese prison camp to rescue Captain Brian Miller who has unrevealed "valuable information". Of course Jagger volunteers and soon meets up with a Ranger unit who take him nearly to his destination where he allows himself to be captured and taken across the moat into the camp. There he meets the Commander of the camp, who turns out to be a Ninjutsu. Jagger meets up with other prisoners and discovers that Miller has malaria and hasn't been able to reveal any intelligence. He begins to plan the escape after he learns about Mountain Storm. Mountain Storm is a silent giant sumo who uses the prisoners as fodder in his fights to entertain the Japanese troops. Jagger arranges the escape and plans to settle the score with Mountain Storm. 

Part II is titled "The Mountain Storm" and sees the prisoners continue to plot their escape by building makeshift devices. But the Commander gets wind of the attempt and calls everyone out on the field. Some prisoners slip off to begin the escape using inflatable bladders used by ninjas to walk on water. Meanwhile Rip Jagger becomes Judomaster and confronts the Commander and the Mountain Storm. The next several pages are taken up with precise martial arts action sequences with Judomaster ultimately getting the better of the Montain Storm while the escape continues. But the Mountain Storm has one card left to play, as his name is apparently also the name of a particularly powerful judo throw, but when attempts it Judomaster is ready and swings the giant onto his knee for a painful backbreaker. Judomaster then leads the remaining prisoners in an attack on the Japanese overtaking a machine gun tower and mowing down some of the enemy. He then overtakes the Commander and defeats him. The battle over Judomaster disappears and Rip Jagger returns to lead the former prisoners to safety. General Hawkins congratulates Jagger on a job well done and mentions Judomaster's role, and it is unclear how much he knows about Jagger's dual identity. The last scene shifts abruptly to the island where Judomaster was trained and a conversaiton between Bushiri and Sensei about how sad Suzikawa (Sensei's daughter) is that Jagger is gone.

 

The second story is titled "Self Defense" and is really a tutorial featuring Judomaster and he gives step by step instructions on breaking choke holds and doing leg sweeps and a hip toss that looks much the "Mountain Storm" move from the first story. Both story and art are again attributed to Frank McLaughlin. 

The text story in this issue is titled "The Finger of Fate" and offers up speculation about a moviemaker seeing the perfect performer in a dream and then taking steps to find that specific individual. That is compared to a Chinese Emperor from ancient times who also followed up on a dream to locate and put into place the ideal man to lead as prime minister. 

This is a solid issue, giving Judomaster plenty to do and also taking a few moments in the action-packed story to do a tiny bit of characterization with the potential love interest. The relationship between Hawkins and Jagger is also one that seems at this point ripe with potential. Mountain Storm will show up again in the series, and despite not having a single line of dialogue proved to be a most memorable opponent for Judomaster. 

To read the complete comic book go to this link. 

More Judomaster to come.

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Beware The Creeper!

Beware The Creeper the title says and it's no small warning. The Creeper was one of Steve Ditko's remarkable and memorable additions to the DC universe when along with other Charlton talents such as Dick Giordano, Pat Boyette, Sergius O'Shaugnessy, Steve Skeates, and Jim Aparo landed on those halcyon "House of Krypton" shores. The cover above is my favorite image of the Creeper, his posture all bent and the water oozing and dripping, a deadly "Menace" looming behind him. Ditko did his heroes proud with this one especially Will Eisner. 

But before that debut issue, we were first told to Beware the Creeper in Showcase #73. In this issue WHAM tv reporter Jack Ryder runs afoul of a bunch of thugs led by Angel Devlin and in the course of his adventures gathers the odd bits of his bizarre costume and meets Professor Yatz who is the man who uses his new inventions to give the Creeper his new powers. A fluid is injected into the wounded Ryder to save his life and a device is implanted beneath his skin which allows him to alter his appearance with the press of a button. 

I'd seen the Creeper in other comics drawn by Neal Adams and Dick Dillin, but the first time I was able to read this debut story plotted and drawn by Ditko and written by Don Segall was when it was reprinted in on of those juicy giant 100-Page Detective Comics issues which made DC so alluring at the time. 

It would many a few decades before I got my mitts on the Showcase issue itself as well as the original Beware the Creeper run. 

The Creeper's main enemy in most of the issues of the original series was Proteus. Proteus was a man who could be anyone, could alter his features and sneak up behind you at a moment's notice. Proteus seems to have been killed after their first encounter but that doesn't prove to be the case and in stories written by Sergius O'Shaugnessy (Denny O'Neil).

"The Isle of Fear" finds the Creeper on a long-lost island remarkably close on which an old society has been put upon on modern criminals eager for a safe haven from the law. 

As Creeper's fight against Proteus continues he gets new cast members such Rip Cord who join regulars his boss Bill Brane and self-absorbed weathergirl Vera Sweet, who sometimes afflicts Jack and at other times gives him a hand in his investigations. 

It's notable that Denny O'Neil seems to take on more of the plotting and scripting control as he sheds his "Sergius O'Shaugnessy" identity. Inkers join up such as Mike Peppe and give Ditko's pencils a different and frankly less effect look. For the most part, this era of Ditko always looks better when he inks himself.

In the sixth and final issue of the original run under this handsome Gil Kane cover we have only a part of a Ditko issue with journeyman Jack Sparling finishing up this final Beware the Creeper tale, at least for the time being. I an only imagine that Ditko has once again sought greener pastures as he leaves Hawk and Dove too, in the capable hands of Gil Kane it's to be noted. 

But Steve Ditko will return to DC and to the Creeper, but more than a few years will pass. 

In 1975 the mavens at DC Comics decided to give The Creeper another try-out on the newsstands and to that end the seventh issue of 1st Issue Special was pressed into service. This featured a story drawn by the Creeper's creator Steve Ditko. One curious detail about the cover above is the tiny detail of the dog and fire hydrant. (You can almost see them.) This cover was designed by Carmine Infantino and handed to Ditko to finish and to show his displeasure with such an arrangement he has that pup show its disrepect to that hydrant in the natural and time proven fashion. 

In this singular issue Creeper finds himself battling the Human Firefly, a hood just busted out of prison and aching to remake his reputation. The Firefly was a vintage Batman villain first and last seen in Detective Comics #184 from 1952, about the time Ditko was first breaking into comics. The script for the story was by Michael Fleisher, and Mike Royer inked Dikto's pencils. But Ditko wasn't done with his creation, he had more Creeper stories to tell. 

The try-out sparked a revival in the back pages of World's Finest beginning with issue #249. 

The Creeper was rarely featured on the covers, though his smiling yellow mug and lustrous green motop was nestled alongside the logo with the other back-up features face in this densely packed dollar comic. All the stories were written and drawn by his creator Ditko. 

The stories in these issues have a much broader comic feel than the original series had shown nearly a decade before. The Creeper is working for Cosmic Broadcasting as part of a security team. 

Joining his cast are his boss Sam Hagen along with spry blonde dame named Fran Daye and a galoot named Dump. One odd detail is that a fly always seems to be hovering around Dump's head. 

The Creeper comes up against new baddies like The Disruptor and a lug called simply the Monster. He also has to deal with the return of Angel Devlin who was instrumental in the origin of The Creeper in his very first story. 

Apparently there was some thought to busting the Creeper out into his own comic again, but the infamous DC Implosion put the skids to that idea. The issue of Showcase #107 would have allowed The Creeper to return to his place of birth but it was only seen in the Cancelled Comic Cavalcade #2 for many years. Creeper does rate an appearance on both of the CCC covers though. 

This is a wild wild issue with two double-page splashes and a cameo by Ditko's Odd Man. (The Odd Man was touted to have a back-up feature, but the implosion ended that aspiration.) 

And that's a wrap on The Creeper, at least as produced by his maker Steve Ditko. The Creeper did prove somewhat popular and did get around for some time by dint of other talents. 

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Judomaster - Special War Series!

Judomaster is a character near and dear to my heart (as you can tell from my nom de electron "Rip Jagger"). Let's begin at the beginning. There is no Judomaster #1. That would be far too simple a start for a Charlton hero. To find the debut of Judomaster you must look at a couple of books. Charlton's Special War Series was a quarterly comic which featured sundry war stories. After three fairly typical issues the final installment, issue #4 bearing a November 1965 date is quite a bit different. On that cover is a vivid red and yellow figure and around is arrayed four images of that same figure displaying various martial arts skills. He is dubbed "America's Newest and Greatest Action-Hero!". 

The story begins in Part I titled "Introducing Rip Jagger...Judomaster". The script is by the ubiquitous Joe Gill, Charlton's workhorse writer, but the artwork and concept are from the skilled hand of Frank McLaughlin. The story begins in June 1943 on a small island in the Pacific where a bunch of U.S. soldiers are fighting a "horde" of Japanese soldiers led by Major Yoku. We meet Sgt. Rip Jagger and PFC Al Cole as they stand watch. A figure appears in the night and Cole fires despite Jagger's warning. They hear sounds and Jagger goes out to check the victim and lift the body to his shoulder, but as attempts to return he comes under sniper attack by the Japanese who swarm the position. Suddenly when all seems lost a bunch of mysterious warriors appear from the jungle with swords and dispatch the Japanese. Jagger is stunned and finds himself under attack and despite his considerable fighting ability is knocked out. He awakes in a cave among a group of fighting men led by Bushiri who takes Jagger to his leader the Sensei an ancient master warrior. He discovers that the "body" he rescued was in fact the still-living daughter of the Sensei and he is among a group of dedicated island natives who want to drive away the Japanese. He learns his comrades from the U.S. are dead and so he throws in with the islanders. As Major Yoku continues to spread his tyranny Rip Jagger undergoes training under the guidance of Bushiri. 

In Part II titled "The Dojo!" Rip Jagger continues his training and learns much about the discipline of Judo including its emphasis on Renshindo (physical development), Shouibhuo (combat technique) and Shushinho (mental development). He proves a worthy and talented student, and even surprises Bushiri with his skill and speed. Eventually Jagger joins the islanders in an attack on the Japanese and is most effective, so much so that Sensei tells him that he has become a symbol for the islanders and so must wear a special costume to fully realize that role. 

In Part III titled "Judomaster Is Born" Rip Jagger puts on his distinctive red and yellow costume for the first time and carrying only a bamboo stick heads off into battle against Major Yoku, attacking his very headquarters. He then puts out a warning to Yoku that he will destroy three targets in succession. He attacks and destroys the Japanese oil depot, then the naval ammunition depot. During these two attacks he proves resistant to electrical shock. For the last target Judomaster has called in an American airstrike on the Japanese barracks and defies bullets to at last defeat Yoku. It seems his costume offers the skilled warrior near-superhuman protection against both bullets and electrical shock. With Yoku defeated, Judomaster stands tall waiting the next challenge. 

There two other features in this comic. One is title "Sport of Judo" and is both written and drawn by Frank McLaughlin and in this three-page feature he describes judo, aikido, and karate with special emphasis on the mental requirement of all three. The other feature is a text piece titled "Fight for Freedom" and tells the secret story of a heroic pilot named John Howard Mellon who went behind the Iron Curtain and rescued a defecting scientist. And that is Judomaster's debut. It's a really exciting and action-filled issue. McLaughlin is a skilled martial artist himself and his moves are drawn with precision and accuracy.

Also available in November 1965 from Charlton was Sarge Steel #6. It's of note to Judomaster fans because Judomaster makes a cameo appearance (a talking head) in the back-up feature title "What Is Karate?" written and drawn by McLaughlin. It's a classic bit of cross promotion as the three-page feature offers up details about the martial art as if Judomaster were telling it to you. He only appears on the first page though there is a mention that his debut is on sale at that very moment. 

To read this complete comic book go to this link. 

More Judomaster to come. 

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Sarge Steel And The Sentinels

Above is a delicious pin-up shot of Sarge Steel by co-creator Dick Giordano, from the 1974 CPL Gang's Charlton Portfolio which also sported a wraparound Don Newton cover. Just wanted to share this nugget before we dive into our main course today. 

Thunderbolt #57 is dated May 1967. The Sensational Sentinels appear again in a story titled "If This Be Triumph!". The story is plotted by D.C.Glanzman and the script and the art are by Sam Grainger. Lettering is by A.Machine. The story begins soon after the battle from the previous issue where we find Brute, Mentalia, and Helio in their apartment recovering. Brute apparently survived the fall from the roller coaster by landing in some water. Rick still has amnesia. The android Titan breaks into the apartment to continue the battle and he and Brute exchange blows, with Titan eventually flinging Brute toward a window. But Mentalia exerts her thoughts and is able to stop Brute in mid-air revealing for the first time not only an ability for telepathy but telekinesis as well. The Titan captures Mentalia and climbs down the building with her in tow. Brute follows using his great hand strength to grip the bricks on the side of the building. He and Titan again mix it up until Brute realizes that he was granted great strength over other men and not androids, so he changes tactics and uses a light pole to attack Titan to great effect. Then Brute leaps to attack Titan and Mentalia adds her telekinetic might to the thrust and they severely damage the android who ultimately collapses. 

Returning to their apartment the find Rick still confused but just they are dealing with what that means for the team Sarge Steel appears and announces that the Mind-Bender and Titan were creations of the C.I.A. and that Dr.Kolotov who gave them their powers was a Soviet spy. As the story ends, he is taking the team into custody in order for them to make statements.

 

Thunderbolt #58 is dated July 1967. The Sensational Sentinels return in a story titled "Into the Lair of the...Mind-Bender!". The story features artwork by Sam Grainger, but writing this time is by Sergius O'Shaughnessy a pseudonym for Denny O'Neil. The story picks up with Sarge Steel arresting the trio for spying, saying that Dr. Kolotov who gave them their powers was a Soviet agent. But Steel's aggressive nature and his attempt to shoot the trio in an alley convince them he is being controlled and Mentalia uses her ESP powers to overcome him. 

Then Brute and Mentalia are attacked by a hotdog vendor who they realize must be the Mind-Bender. They repel the attack, but he escapes. They then take both Sarge Steel and Rick Strong, also known as Helio to the hospital where the reports are good for both that they will recover. Then Crunch Wilson and Cindy Carson resume their roles as two-thirds of the Protesters, a singing group and try to perform. But they are attacked by a very hostile crowd clearly under the sway of the Mind-Bender. Helio returns just in time to save them using his flying belt and the trio escape. Later that evening Helio gets a call from Crunch and goes to the location only to find that he and Mentalia are taken prisoner by Brute who is under the power of the Mind-Bender. As the story closes, Helio and Mentalia are strapped to tables while Brute pushes a button which will kill them. 

This saga has a third chapter, but we never see Sarge Steel again. Read these stories here and here. 

More Sarge Steel to come...eventually. 

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