Ambush Bug Day!

Keith Giffen was born on this date in 1952. Giffen was a wonderful artist who worked for Marvel in his early years in the business before shifting to DC where he and Paul Levitz breathed new life into the Legion of Super-Heroes. Giffen's style became more and more compelling over the years. For me at least his funnest if not finest contribution is the Ambush Bug. 

I picked up the Ambush Bug Showcase volume on a whim and promptly set it aside. The artwork by Keith Giffen and Bob Oksner really looked choice and I wanted to savor it a bit. I never read any of these comics (save possibly for the DC Comics Presents issues) when they first appeared, so I came to the Ambush Bug character largely ignorant of its style and content. I knew it was supposed to be funny, but that's about all I knew. I was very impressed.

Now truth told, when Ambush Bug first appeared as a low-level villain in a few issues of Superman's team-up comic he was cleverly written but hardly transformative.

He seemed to be a character in the vein of many of the classic Bat-villains, a killer with a morbid sense of humor. And if he'd stayed like that I suspect he'd be mostly forgotten by now.

But in a trio of appearances in Action Comics, the character blossomed into the antic fourth-wall breaking roustabout who went on to scratch out a few limited series in some of DC's brightest days.

If you haven't read these "adventures" then it's difficult to describe. Keith Giffen and Robert Loren Fleming have so deconstructed the superhero comic book adventure in these stories so as to undermine any attempt by a reader to extract enjoyment on that level. The only thing I can compare these Ambush Bug stories to is Monty Python's Flying Circus. The pacing felt the same and the unpredictability of page after page seemed more than anything to mimic the antic pacing of that classic comedy show.

In the first limited series we meet Ambush Bug's partner Cheeks the Toy Wonder (a plush toy and nominal inspiration for one of the earliest and most entertaining websites devoted to comics that I ever chanced upon) and having him meet up with the likes of Scabbard (from Thriller), Jonni DC (made into a chick--sort of) and most hilariously Darkseid.

What follows in the subsequent specials and limited series is more of the same, more or less. With DC, and superheroes in general getting the satirical crap beat out of them in fine form.

I found Ambush Bug a fun fun read, but for comics fanboys only I suspect.

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Going Down Danger Street!

At first, I intended to give a no-holds barred issue by issue review of Danger Street. The limited series takes the often-forgotten heroes featured in the thirteen issues of First Issue Special, a Showcase-style series DC made use of in the Bronze Age. Not all of the heroes in the series were throwaways such as Warlord which went on to become a big hit for DC. The New Gods also have been revived time and again over the decades. Mainstays like The Creeper, Dr. Fate and Metamorpho find life now again in the pages of DC Comics. And even Manhunter has been used and to my mind somewhat abused over time. But others such as Atlas, The Green Team, The Outsiders (not the Batman version), Lady Cop, Starman (not the Earth II versions), and Codename: Assassin have been little used to say the least. 

But after reading the series, I don't want to spoil in anyway what proved to be a pretty compelling yarn. This is a stew for sure, disparate characters thrown into a cooker pressure and then left to simmer. One is often left to wonder if the result will taste any good at all. I can say this brew has a heady taste indeed. The best I can say is that Tom King has created a story which is the Brothers Grimm meet Quentin Tarantino. We have a Princess (Lady Cop) and three Princes (Warlord, Starman, and Metamorpho), four Young Lads (Dingbats of Danger Street), an Ogre (The Creeper), a Giant (Atlas), two Knights (Manhunter and Codename: Assassin), some Monsters (The Green Team), some Rogues (The Outsiders), and sundry Dragons (The New Gods of New Genesis and Apokolips). 

The story is narrated by the Helmet of Fate, which it turns out plays a key part in the saga as well. Characters arrive from all over and tumble into one another's lives. Some are connected in ways we never imagined. Some seem destined to clash. Most are just trying to survive another day. To describe the interactions and fates of the various heroes and assorted characters would be the spoil some terrific surprises. But it is sufficient to say that not everyone gets out alive. 

Here are the sundry covers for this series.  

Highly Recommended. 

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Danger Street Signs - Return Of The New Gods!

In anticipation of a review of Danger Street by Tom King, Jorge Fornes and assorted cover artists I am representing my thirteen reviews of DC's 1970's Showcase-style comic 1st Issue Special. The books by King and company make use of ALL of the sundry heroes and heroines who appeared in these pages. So, let's finish with the Return of the New Gods. 

Jack Kirby was a big part of the early issues of 1st Issue Special as we've seen with three features in the first six issues of the run. Then his contract to DC fulfilled he left to return to Marvel, now minus Stan Lee who tended to his reputation and Marvel's doings in Hollywood and thereabouts. By this time Kirby was producing his wild Captain America stories for Marvel as the title rocketed to its two hundredth issue as well as some nifty covers for a bunch of different titles. DC decided that the New Gods characters who had seemingly demonstrated a lack of marketplace power only a few years before were ready to make another try, this time minus their absent creator. 

In this thirteenth and final 1st Issue Special we meet again the denizens of New Genesis such as Highfather, Scott Free (in costume on cover only), Big Barda and Lightray (cover only) and Metron. On the Darkseid of things there is of course the cruel dictator of Apokolips himself as well as Kalibak and Doctor Bedlam. In this issue Orion in new fighting togs (no helmet darn it which has always proven difficult for many artists to draw) taking the fight to Apokolips yet again but who finds that he cannot fulfill his long ballyhooed destiny to kill his father when Darkseid has taken steps to connect his beating heart to the Sun itself, making his sudden demise rough on humans all over. So it ends in a stalemate, but with the door open for more. 

And more is what we get as within months we have a new Mister Miracle comic and a new New Gods title both picking up the numbering of the abruptly halted original runs. The Fourth World will slowly but surely become an ever increasing part of the DCU with Darkseid in particular seen by the likes of Gerry Conway (who plotted this last 1st Issue Special as well as edited it in a deal with seemingly more latitude than even Kirby had). Denny O'Neil scripted it and an up and coming Mike Vosburg (hot off the previous issue's Starman) took the artistic helm.

And so it ends, a brief little series that packed some real punch with a gaggle of strong features some of which found a lasting time on the racks and others that withered away. One thing they almost all had in common was a grand sense of fun, something today's dour comics lack by the bushel loads. 

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