Saturday, December 6, 2025

The Portfolio Spirit!


The Spirit Portfolio is simply filled with lush images of Will Eisner's hero in various situations, most of them dangerous and in various environments, most of them urban. These were done by the mature Eisner, when his femme fatales had a more realistic, yet still quite alluring look. My favorite plate is perhaps the wonderful view of Wildwood Cemetery and the entrance to The Spirit's lair. My second favorite is the landscaped image of The Spirit racing across Central City. 











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Friday, December 5, 2025

The Pop-Up Spirit!


The Spirit Pop-Up Graphic Novel is a bit of fun. It takes the iconic artwork of Will Eisner and adapts into a spritely three-dimensional interactive reading experience. It's impossible really to communicate how much fun Bruce Foster had making the world of Central City literally seem to come to a bizarre intermittent life. 




The makers selected a solid Spirit tale to adapt into this peculiar format. The "Sand Saref" story was the basis of the ill-fated movie by Frank Miller, but adapts much better here where the elements are treated with a kind fidelity to the original. As has been pointed out before this stor was adapted from another bit of work Eisner did, titled original John Law.


For a quick comparison see this link.


The cover itself comes from this iconic 1950 Spirit Section. This is part of the John Law adaptation which became the "Sand Saref" story.


And of course it inspired the first Warren Spirit cover by Basil Gogos.

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Thursday, December 4, 2025

The Artisan Spirit!


Will Eisner is the most important figure in the history of comic books. That's a bold claim, but let me explain. Eisner was one of the earliest creators of new content for the burgeoning field of comic books, the weaker sister of the noble comic strip. After a brief tenure in comic strips, he and Jerry Iger formed a partnership to supply comic material for the sundry publishers who rose up after the hit Superman made a new industry viable. Leading other great talents he helped contribute to comics such as Sheena of the Jungle, The Flame, Doll Man, and Blackhawk among others. Eventually he left to set up his own shop called logically enough Eisner Studio and out of that came The Spirit. The Spirit was a comic book produced for inclusion in newspapers which had seen the potential for such things to raise circulation. The singular thing about the Spirit is that Eisner maintained his rights over the character which proved critical over the next many decades. The comic was hugely successful and ran for a until the early 50's during which time Eisner had created a range of different kinds of stories which deviated greatly from mere crime yarns. 


Will Eisner proved comic books could be more than just disposable junk. He then when to work for the military where he used comics to teach soldiers about their equipment in P.S. Magazine, and left his most famous creation behind, but people remembered. There were revivals in the 60's and 70's and beyond. Eisner began to create longer form stories which were grounded in stark reality and later still adapted novels and fairy tales. He wrote at least two books about creating comics. Eventually DC acquired the rights and hold them today. Will Eisner was there at the beginning, the revival, and was a major influence on many creators both in the mainstream and underground. His stories are exceedingly well crafted and touch on themes which still resonate today. No single talent was as good as long as Will Eisner. Even so a mighty talent as Jack Kirby bends the knee to Eisner who combined great storytelling and longevity with a sharp business acumen that made for a successful working model for comics. 


IDW's Artisan Edition of The Spirit stories is wonderful way to get an intimate look at Eisner's work on his greatest and most enduring creation when he was at the peak of his artistic powers. Below are the splash pages of the particular "Spirit Sections" which are included in this tome in order, though of course they are in glorious black and tan. It's an economical version of the Artist's Editon produced some years ago and much more readable. 


























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Wednesday, December 3, 2025

Star Jaws And More!




Will Eisner was always looking for new outlets for his cartooning skills, and he found such an outlet with Baronet paperbacks. These are breezy and light-hearted gags which put me in mind of Dave Berg's work for MAD Magazine. The books were arranged by theme and Eisner's work was combined with that of Keith Diaczun, Barry Caldwell, and Wade Hampton. 




These frothy little paperbacks must've found an audience because there are several of them. I've managed to round up the ones pictured here. 

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