Saturday, March 28, 2026

Charlton's Fantastic Giants!


Fantastic Giants #24 (t is a continuation of the numbering of Konga) was one of the earliest comic books I ever got my little mitts on and it's a book that has at its center not a character but an artist. Steve Ditko (shown enigmatically as a quasi-human ink bottle) is what this book is about, his artwork on some vintage projects as well as two new stories by the maker of so many fascinating Charlton yarns. 


Konga was of course once upon a time a movie and then Charlton adapted it to comic book form. Ditko drew the adaptation and many of the better Konga stories from the reasonably long run of the title. This volume showcases that wonderful Joe Gill written and Ditko drawn debut story. 


On the other side we have Gorgo, another very successful giant monster flick adapted by Charlton using the same team. The oddly touching tale of an enormous monster and her giant offspring taking a walking tour of London is exceedingly well told. Given the price of special effects, both the Konga and the Gorgo stories add to the luster of the cinematic renditions. 


In addition to the classic giant monsters we get a then-modern Ditko tale called "Mountain Monster" which might've fit into Ghostly Tales or The Many Ghosts of Dr. Graves, but is given special prominence here. This story written by Dave Kaler gives us Ditko at the top of his powers just as the lead character of this story is at the top of that mysterious mountain. 


And finally, there's the secret gem of this set, the other new story scripted by Dave Kaler called simply "With the Help of Hogar" which set in the depths of Africa offers Ditko the chance at a splash page, one of his best. Ditko didn't create impactful splash pages like his colleague Jack Kirby and but for Kirby might never have done. But when he was given the nod, he created some of my favorites such as the outstanding splashes in the first Spider-Man Annual and the debuts of the redesigned Captain Atom and Blue Beetle. This image above really lives up to the book's title, and gives us a "fantastic giant", a creature which seems to lumber out of the pages of a Lovecraft story brimming with utter weirdness. All this heady stuff indeed for a youngster just shaping his initial impressions of what comic book art should be. A Steve Ditko special indeed and the true "fantastic giant" in this tome is the artist himself.

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Friday, March 27, 2026

Charlton Classic Covers - Reptisaurus #8!


Reptisaurus #8 was published in 1962. You can read the issue at this link. The cover art is by Bill Montes and Ernie Bache. 


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Thursday, March 26, 2026

Charlton Classic Covers - Reptisaurus #5!


Reptisaurus #5 was published in 1962. You can read the issue at this link. The goofy cover art is by Joe Sinnott and Vince Colletta. 

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Wednesday, March 25, 2026

Charlton Classic Covers - Reptisaurus #3!


Reptisaurus #3 was published in 1962. It is a continuation of the Reptilicus series with modifications to the creature's color and name. You can read the issue at this link. The cover art is by Sal Gentile and Nick Alascia. 

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Tuesday, March 24, 2026

Charlton Classic Covers - Reptilicus #2


Reptilicus #2 was published in 1961. You can read the issue at this link. The cover art is by Dick Giordano. 

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Monday, March 23, 2026

Monarch's Reptilicus!


Charlton also was associated with the paperback imprint Monarch and they too adapted Reptilicus using the writer David Owens. Pink took issue with some of the scenes created for the novel version which are reputed to have a somewhat lascivious quality. I've never read it, so I cannot speak first-hand about it. But apparently it upset Pink who pulled the license from Charlton.

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Sunday, March 22, 2026

The Lonely One!


Konga is a name to conjure with. The movie, a bit of schlock from the 50's featuring a mad scientist (played to hilt by Michael Gough -- more on that tomorrow) who uses jungle potions to make things grow to vast proportions experiments on a monkey and gets Konga, a giant ape who prowls the streets of London before meeting his apparent doom. And that's the end. No sequels, no need. Konga the movie is a strange but oddly compelling flick


Konga the comic book series from Charlton is the same and different too. Konga survives the end of the first story and becomes something akin more to Godzilla than King Kong, his obvious inspiration. Konga of the comics can survive nuclear blasts and seems to wander the globe with great speed, impervious to the elements for the most part. He is at once part of the world and apart from it. Hence The Lonely One as the title of this Robin Snyder produced collection of some of Joe Gill's and Steve Ditko's most curious Konga stories. This was the very first Konga collection I ever purchased way back when. 


The first story in the collection is "The Monster Hunter" from Konga #11. It tells the tale of world-famous hunter E. Kellington Trent and his romantic partner Miss Lovejoy who want to trap the greatest game of all, and that happens to be Konga who is at once a real creature and almost a thing of myth. The pair stalk the great beast but become charmed by him, and the story ends much differently than expected.


"The Land of the Frozen Giants" from Konga #8 has Konga travel to the great white vastness of Antarctica where he gets frozen, becoming a living statue. He is discovered but before he can be captured and he falls into a sub-world filled with dinosaurs where he must fight ceaselessly for his life.


"The Peacemaker" from Konga #13 has Konga get a bad cold and then invade a southern clime where he finds healing mud in the steamy swamps. While taking the cure, he finds himself at odds with a tinpot dictator who is kept in power by nefarious foreign powers. Konga saves people from broken train tracks and battles the full force of the dictator's military.


Finally, there is "The Lonely One" from Konga #12 a story which reprises Konga's origin story from the movie adaptation, then has the great beast become stranded in the snow in the alps after a mighty avalanche. There mankind must decide whether to save or slay the beast and bring two of the humans who first cared for Konga back again to deal with his current situation.

Also on hand in this collection are two one-page gag comics from Henry Boltinoff and a Ditko short about the origins of mankind.

To say this is an idiosyncratic package is to understate it. But oddly the Konga stories themselves have a neat cohesion. The stories published in the order that they are, have something of an arc to them as Konga prowls the world looking for peace and companionship, and all too often finding only strife and combat. The stories stand on their own well enough, but when taken together to seem to work even better. The ending is a happy enough one.

Konga stories have a humor and a charm not found in just every comic, at least these by Gill and Ditko do. Konga is an absurd character who seems to absorb atomic blasts, yet at the same time remaining an identifiable personality. He's big but not beyond the scope of human character. These are wonderful little morality fables with more to say about the human condition than might at first be surmised.

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