Sunday, December 14, 2025

The Spirit Archives Volume Twenty-Five!


The twenty-fifth volume of Will Eisner's The Spirit Archives collects up the relatively brief run of daily comic strips which were created in 1941 and ran into 1944. The strips get criticism because Eisner's keen ability to construct a comic page was hampered by the restrictive requirements of a daily comic which required steady updates and cliffhangers on a regular basis to bring back the readership. I found the strips surprisingly involving, better than I'd expected. Unlike The Spirit stories themselves, I'd never read any of the comic strips before. It was not unlike a somewhat parallel world, a look at a Central City similar but not identical in all ways. 

The Spirit was joined by Ebony White, Commissioner Dolan, and Ellen Dolan and that was pretty much all of the cast from the Spirit Sections which made it into the run. Mayor Blast does make an appearance late in the run. Instead, we are treated to new characters, especially some tasty villains. Squire Sampson does make an appearance, the only villain from the Sections to crossover, and does great damage when in his will he leaves a million bucks to any villain who can uncover The Spirit's identity. Two heinous killers named Sphinx and Kaibash show up to attempt to claim the prize. The Spirit heads to Hollywood to uncover the mystery of actress Gloria Fillum. He gets shanghaied by villains Blind Bat and The Blot. The murderous Fannie Ogre becomes the still quite murderous Cinderella Sinn. Dr. Future makes The Spirit's life a misery when he predicts that the hero will murder him. 


The Spirit gets drawn into espionage time and again such as when he helps stop a traveling group of actors who are actually spies, and he even goes to Germany when he's recruited by Himmler to help steal and hide the booty that the top Nazis, including Schiklegruber himself, have lurking in banks. He encounters Lucky Chance, a man who seeks death but is too fortunate to find it, and he solves the case of the Cowled Killer, even though he is accused of the murders himself. 

In more humorous outings Ebony White, who calls himself "Super Ebony" finds secret formulas that seem to make him disappear and later create duplicates of himself who cause no end of mischief. The series ends when a potion which releases hidden desires is acquired by Ellen Dolan who tries to use to get The Spirit to marry her and instead spreads it across Central City itself. 

My favorite new character is Destiny Blake, a daring young woman who was born during World War I and whose birth stopped her father from killing Hitler, so she's determined to make up for that oversight. She's alluring and deadly and pops up in the run more than a few times, a more than worthy addition to The Spirit's array of femme fatales. 





The dailies had been collected by Ken Pierce Inc., but this archiver volume is the first time all of them have been between two covers. I have a few of these reprints, but not all of them. 


One challenge is that the reproduction of the individual strips is pretty small, and the reading of them can be a challenge for aging eyesight like mine. But I got used to it and enjoyed them mightily. When producing these dailies became too much for Eisner after he was drafted, Jack Cole took over the series and did an excellent job. His style was a bit less dense than Eisner's while still evoking a similar feeling and actually might read more easily. 


We take on the penultimate volume of the series next time which takes The Spirit from the 1950's all the way into the 21st century. See you next time. 

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Saturday, December 13, 2025

The Spirit In Color!


Despite looking fantastic in black and white, The Spirit has always looked good in color as well. Of course, the character was presented in color throughout the 40's and 50's. Then in the 60's we started to see black and white presentations. Then both Kitchen Sink and Warren brought out black and white versions of the character and those looked fantastic. 


Warren saw that and often presented the character in lush color supplied by Rich Corben. These stories were collected in a limited-edition volume of 1500 copies and available only through mail order or back issue stores. I don't own The Spirit Special, though I want to. 


In reverse, Poorhouse Publishing put out a black and white volume featuring classic Spirit splash pages, intended for the fan to color. I would never dream of actually doing that to my copy The Spirit Coloring Book



Will Eisner's Color Treasury is to my eye the finest collection of pure color Spirit. Included in this volume is one full story, the plates from the art portfolio, and Eisner's own color versions of his original art for the Warren magazine covers as well as all the Kitchen Sink Magazine covers. This was published in Denmark. 



Also published in color in Denmark was Will Eisner's Color Albums. There were three of them in total. The first collected a gaggle of some of the best Spirit stories such as "The Perfect Crime", "Hanzel and Gretel", "Cinderella", "Life Below", "The Guilty Gun", and "Ten Minutes". It also reprints the revised origin story for The Spirit Eisner created for the Harvey collections years before. 


The second volume focused on romance and presents all the stories featuring the somber Bleak and the lovely Sparrow, two young lovers who have to overcome some real issues to be together.  Also included are "War Brides", "Lurid Love", and the Sand Saref set of stories, among others. 


The third and final volume of the three volumes focuses on The Spirit's large case of femme fatales. We get "Nylon Rose", "Silken Floss", "Wild Rice", "Plaster of Paris", "Thorne Strand", "Satin", and several more. There's also a piece from The Spirit Magazine where some of these dames get together and compare notes titled "The Spirit's Women Club". 

All of these are handsome volumes if you can find them cheap. 

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Friday, December 12, 2025

The DC Spirit - Diverse Hands!


When Darwyn Cooke chose to leave the title, it was up to Groo's creators Sergio Aragones and Mark Evanier to step in and continue The Spirit. They debuted under a cover created by Jordi Bernet. The stories created by this team were one-shots filled with the light-hearted humor the duo had famously brought to all of their projects. Abandoned was the continuity and while we stayed in the modern world, Central City looked more like it had traditionally. The artist on the first issue was former Eisner assistant Mike Ploog. 



Paul Smith stepped in to draw the next two issues with covers by Bruce Timm. In addition to Smith, Aragones and Evanier were joined by a cadre of younger artists such as Aluir Amancio, Jason Armstrong, Chad Hardin, and Wayne Faucher.








We were treated to some great covers, sometimes by classic talents such as Joe Kubert. 




With the twenty-sixth issue writer Michael Uslan stepped in with artist Justiano to give the reader a trio of stories which returned classic femme fatales the series such as Silken Floss, Lorelie Rox and Plaster of Paris. Brian Bolland knocked out some outstanding covers for this triad. 




Dean Motter took over the writing and was joined by artist Paul Rivoche for one issue. 


He was followed by Michael Avon Deming for a single wild story with a cover by Kevin Nowlan. 



Mike Ploog returns as both writer and artist for the final two issues of the series in a weird story which brought magic to Central City. He was joined by inker Dan Green. Covers were supplied by Nick Cardy and Gene Ha. 

And that was it. The series came to a sputtering halt after a sizzling beginning. But DC was far from done with The Spirit. He would as ever, rise from his grave to fight crime yet again. 

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Thursday, December 11, 2025

The DC Spirit - Darwyn Cooke!


When DC was finally able to move forward in 2007 with new adventures of The Spirit they picked Darwyn Cooke to take up the challenge of continuing Will Eisner's magnificent creation. It was a superb choice as Cooke's animated-inspired style blended nicely a noir feel with a modern sense of comics storytelling. 


They kicked off the series with a booster when they crossed over The Spirit with Batman in a Cooke-drawn one-shot. Jeph Loeb wrote this roller-coaster story which featured not only the two heroes but most of both of their rogue galleries who had joined forces during a convention to do away with the twin heroes. 


The series proper began with an updated setting. This was a modern but weary Central City in which The Spirit still battled the baddies with the help of Ebony White (redesigned to remove his stereotypical aspects). Ebony was shown as a sharp assistant, who helped the out-of-step Spirit with modern technology such as cellphones and other aspects of the information age. J. Bone was tapped to ink Cooke's stylish pencils which in the tradition of Eisner played with the storytelling. Ellen Dolan was the love interest, though it's made clear she loves Denny Colt. We are also introduced to a new savvy female television reporter named Ginger Coffee. 


P'Gell makes an appearance and is up to her usual attempts to come by wealth through a bit of romance and a bit of criminality. 


The Spirit's origin is slightly revised to include a hood named Elvarro Mortez who ended up with Denny Colt immersed in Doctor Cobra's weird suspended-animation solution. Whereas Colt was put into a crypt and so was able to get free of his internment, Mortez had a more cruel resurrection. This story formed a spine which flowed in the background of the many of the stories going forward. 


Silk Satin returns, but this time she is made a member of the C.I.A. and Homeland Security and is a very capable ally. 


Cooke was all too ready to play with the graphics, well within the tradition that Eisner had established decades before. 



Cooke supplies the cover for the "Summer Special" but we get stories by Walt Simonson and Chris Sprouse, Jimmy Palmiotti and Jordi Bernet, and Kyle Baker. Truth told, The Spirit always seems more at home in these shorter stories. 


The Octopus also returns, as mysterious but perhaps even more deadly. This Octopus does not play around nor seems particularly entertained by The Spirit's shenanigans. 



Cooke gives us some fantastic and sharp satire when he looks at the landscape of television news shows which have become hotbeds of misinformation and so put the society at large at risk. Something we are contending with even more today. 


The Mortez storyline comes to a finish when a horde of zombies descend on Central City and it's up to our hero and his friends to save the day. It's a very close thing. 


Cooke wraps up his run on the series with a fantastic retelling of the Sand Saref story, giving it a modern polish while staying very true to Eisner's original intent. 


Cooke leaves off with the cover for the thirteenth issue which is a Christmas issue. Inside we get a Halloween story by writer Glen David Gold and artist Edwardo Risso, another story by Denny O'Neil and artist Ty Templeton, and a third by Gail Simone and Phil Hester. 

Darwyn Cooke was a top-flight choice to create some fun but still engaging Spirit stories. He created a continuity which alas would largely be ignored by the talents who followed him. His act was a strong one indeed. 

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