The Fightin' 5 - Monster From The Abyss!

Fightin' Five Volume 2 #41 is dated January,1967. The Executive editor is Pat Masulli and the Managing Editor is Dick Giordano. The script is by regular writer and creator Joe Gill along with Bill Montes and Ernie Bache on the artwork. The cover is by Rocke Mastroserio. This is final original issue of the Fightin' Five to be published.

The "5" are Frenchy the Fox, Irv "The Nerve" Haganah, Granite Gallero, Hank Hennessy, and Tom-Tom. Designated according to the first letter of their name, they formed "America's Super Squad" and the word "F.I.G.H.T.", hence Fightin' 5.

"Monster from the Abyss" begins under the ocean when Dr. Aquilla and his scuba-wearing henchmen try to take control of the nuclear submarine and underwater laboratory the U.S.S. Plankton. Aquilla has established a base under the sea where he mines precious gems and minerals. He perceives the Plankton as a threat and orders his men to take control of it. In the course of that a missile is sent astray which ends up going deep into a trench. Meanwhile the Fightin' 5 approach the area concerned over Aquilla's activities. The missile goes to the bottom of the trench where it explodes just above the head of a gigantic sleeping reptile. The ancient creature is understandably upset and rises from the depths to see what has awakened him and encounters another missile which explodes on contact.

"Aquilla's Doom" begins as the creature attacks the U.S.S. Plankton and the Fightin' 5 arrive on the underwater tableau. They begin to try and distract the mammoth creature and do draw its attention away, but it then seeks to attack them. Aquilla sees this and is happy to see the creature handle his enemies for him. The Fightin' 5 try to draw the beast away and succeed, but when Plankton crew try to emerge to effect repairs, they are attacked by Aquilla's men who issues an order for them to surrender their ship. The Fighitn' 5 though manage to turn the sea monster and it starts to destroy parts of Aquilla's undersea base. Aquilla's attempts to attack Hank with a squidlike ink gun only attract the creature to him and he has to swim for his life hiding in the coral. To save the undersea despot the Fightin' 5 use a small bomb and get the creature to swallow it. It explodes but only gives the monster the hiccups. This does though distract him, and he swims away while the Fighitn' 5 go to rescue the crew of the Plankton and capture Aquilla.

"Expendable Except" is a one-page text story set during WWII in which a scientist uses his wits and a wine cellar to enable himself and his daughter to escape the Nazis with an O.S.S. agent and emigrate to America.

The Peacemaker has a second installment this issue. The writing is by Joe Gill and the art is by Pat Boyette.

"The War Peddler" picks up the action from the previous issue with Peacemaker having just been shot from the sky by Emil Bork an evil arms dealer. But Peacemaker recovers in the nick of time just missing the ground when his jets restart. Later aboard his own jet he seeks out Bork who is trying to instigate a war by initiating conflict with his own men and equipment and tricking two bordering nations. Christopher Smith learns of his plan, confronts Bork but it is to no avail who escapes in his own helicopter. Smith then becomes Peacemaker and takes to the skies reaching the site of the impending battle. Using his ability the electronically scramble communications and some paralyzing nerve gas he incapacitates both armies. Bork seeing this, shoots four missiles at Peacemaker. Peacemaker uses his helmet laser to destroy three of the missiles and sends the fourth into Bork's own plane killing the amoral war peddler. The blurb promises for Peacemaker adventures in the next issue of Fighin' 5 but there will be no more. Instead, Peacemaker will get his own book. More on that later.

It has long been noted that the sea monster awakened in this issue of Fightin' 5 bears a striking resemblance to longtime Charlton monster-character Gorgo. As can be seen above in this cover by the Montes and Bache team for an issue of Gorgo, the resemblance is amazing. In fact, inside the issue the beast looks even more like Gorgo with the nifty little ear fins added which are missing from the cover.

This is the last regular issue of the Fightin' Five. The title is cancelled, and its place is taken by the debut of a new Peacemaker comic a few months later in 1967. It will be over a decade before the title is revived picking up the original numbering but using only reprints. Those have been covered in previous reports. While Peacemaker takes the lead, the Fightin' 5 are given the back-up position with some few new adventures. 

Read the actual comic book here. 

The Fight Continues in the pages of Peacemaker. 

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The Return Of Gorgo - Ditko At Charlton 1961!

This collection titled The Return of Gorgo gathers together all of the fantasy work by Joe Gill and Steve Ditko produced during 1961. This is the year in which both Gorgo and Konga were launched. The team produced three Gorgo stories in this time as well as three Konga stories. Ditko drew three Gorgo covers and one Konga cover in that year. 

In addition, there are the remaining Captain Atom stories produced by the team, the last until the good Captain's revival some years later. (Much more on that next month.) We also get a nifty assortment of fantasy tales, most with a whimsical flavor. Ditko was working for Marvel at this same time, so his output in 1961 was incredible. It was about to get even more so in the coming year. But more on that later still. The volume also includes a biography of Joe Gill and an informative timeline of the work of Steve Ditko, some of it by Ditko himself. 

Below are the covers reprinted in this handsome volume from Famous Comics.  

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Kongo And Gorga Strike!

Konga and Gorgo make a cameo of sorts in 1990 in Marvel's Web of Spider-Man Annual #6. That appearance is Steve Ditko's final take on these two monsters in a story by fan of those 60's comics Tony Isabella. Renaming the two monsters "Kongo" and "Gorga", Isabella has the two Charlton giants appear as a product of the nigh unlimited power of Captain Universe, a power that endows various individuals with that power. This time in a story titled "Child Star" it's a kid who gets the power and he uses it to save the world from two demons. The page above shows the appearances of the Charlton monsters in their Marvelized forms. 

 

I read this story in the Captain Universe collection Marvel issued some years ago. 

Steve Ditko drew several Captain Universe stories. The character was a spin-off of The Micronauts series. 

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Ditko's Monsters!

Konga and Gorgo is a pretty nifty trick for two monsters who each starred in one-off feature B-movies over fifty years ago. They survive because each of them luckily fell into the nimble hands of Steve Ditko and Joe Gill, two yeoman talents who worked for the little comic company that could, Charlton. The latest package is a flip-cover affair from Yoe Books.

The two monsters met (sort of) for the first time when in celebration of the great Ditko, Charlton promoted him atop the two monsters in a special issue dubbed Fantastic Giants, another incredible one-off. That comic was one of my earliest acquisitions and no doubt contributes to my abiding love of monsters to this very day. That  special issue brought together the debut appearances of Konga and Gorgo alongside some spectacular horror short-stories drawn by Ditko.

Sadly the new package does include Gorgo #1 but for some reason doesn't give us Konga #1. We get some darn fine Konga stories from issues six and thirteen but the lack of the debut for me makes this handsome two-cover flip book a tiny bit of a disappointment. But that's very very tiny. This one is pure old-fashioned monster-loving fun.

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Charlton's Fantastic Giants!

Fantastic Giants #24 (t is a continuation of the numbering of Konga) was one of the earliest comic books I ever got my little mitts on and it's a book that has at its center not a character but an artist. Steve Ditko (shown enigmatically as a quasi-human ink bottle) is what this book is about, his artwork on some vintage projects as well as two new stories by the maker of so many fascinating Charlton yarns. 

Konga was of course once upon a time a movie and then Charlton adapted it to comic book form. Ditko drew the adaptation and many of the better Konga stories from the reasonably long run of the title. This volume showcases that wonderful Joe Gill written and Ditko drawn debut story. 

On the other side we have Gorgo, another very successful giant monster flick adapted by Charlton using the same team. The oddly touching tale of an enormous monster and her giant offspring taking a walking tour of London is exceedingly well told. Given the price of special effects, both the Konga and the Gorgo stories add to the luster of the cinematic renditions. 

In addition to the classic giant monsters we get a then-modern Ditko tale called "Mountain Monster" which might've fit into Ghostly Tales or The Many Ghosts of Dr. Graves, but is given special prominence here. This story written by Dave Kaler gives us Ditko at the top of his powers just as the lead character of this story is at the top of that mysterious mountain. 

And finally, there's the secret gem of this set, the other new story scripted by Dave Kaler called simply "With the Help of Hogar" which set in the depths of Africa offers Ditko the chance at a splash page, one of his best. Ditko didn't create impactful splash pages like his colleague Jack Kirby and but for Kirby might never have done. But when he was given the nod, he created some of my favorites such as the outstanding splashes in the first Spider-Man Annual and the debuts of the redesigned Captain Atom and Blue Beetle. This image above really lives up to the book's title, and gives us a "fantastic giant", a creature which seems to lumber out of the pages of a Lovecraft story brimming with utter weirdness. All this heady stuff indeed for a youngster just shaping his initial impressions of what comic book art should be. A Steve Ditko special indeed and the true "fantastic giant" in this tome is the artist himself.

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Ditko Classic Covers - Gorgo #11!

Gorgo #13 was published in 1963. You can read the issue at this link. This cover is derived from images from inside the comic book. 

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Ditko Classic Covers - Gorgo #4!

Gorgo #4 was published in 1961. You can read the issue at this link. 

This cover was derived from the splash page of the debut issue. The interior art on this issue was by Charles Nicholas and Nick Alascia. 

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Ditko Classic Covers - Gorgo #3!

Gorgo #3 was published in 1961. You can read the issue at this link. This is an original cover by Ditko showcasing Gorgo under the control of a Commie scientist. 

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Ditko Classic Covers - Gorgo #2!

Gorgo #2 was published in 1961. You can read the issue at this link. This is an original cover by Ditko, an iconic image of Gorgo's mother demolishing the United Nations Building. 

Here the cover art is used for Fright Monsters magazine cover. This fun magazine was supposedly discovered after many decades in the hidden basement beneath a store in Derby, Connecticut, the home of the defunct Charlton Comics brand. Great back-story yarn for this retro Druktenis 2020 publication. 

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Monarch's Gorgo!

The Monarch Books (a Charlton brand) novelization of the Gorgo saga by Carson Bingham (the pen name of Bruce Cassiday) is much different from the movie. The story is told from the point of view of Sam Slade and his partnership with Joe Ryan is much more tempestuous than in the film. They first joined forces in the Korean War and later as gun runners for the Cuban revolution. Both are rough and tumble, but Joe is much more imposing and dangerous than in the film. The biggest change is the addition of Moira, the sister of Sean, the kid from the film. We get some exceedingly sexy scenes between her and Sam as he is smitten immediately. (She has a very difficult time keeping her clothes on.) She's presented early in the book almost as a mystical figure, mysterious and strangely aloof. But the description of their lovemaking is very salacious in the spirit of that era. I'd imagine more than a few kids had eye-popping moments as they awaited the monster to emerge. The attack on Nara Island by Gorgo's mother is much more impressive in the novel though there is a limitation to the descriptions of the destruction of London as we are hampered by seeing only through Sam's eyes. 

To read the novel version of the story by Carson Bingham check out this link to the Internet Archive. 

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Ditko's Monsters - Gorgo!

This YOe Books collection brings together all of the Joe Gill and Steve Ditko stories about the giant monster Gorgo. Gorgo stories were produced by other talents in the Charlton stable, but it's only the Ditko material which is on display here (for the most part).

Likewise, both monsters are getting the collected treatment from YOe Books and IDW Publishing. The Konga collection, which is even larger  that the pretty hefty Gorgo book, is due to arrive in a few months.  The stories by the ever-ready scripter Joe Gill are solid and as illustrated by Steve Ditko, give the reader a incredible but entertaining thrill ride as the monster Gorgo, almost presented as a stranger-in-a-strange-land, deals with the wide world.

It's a lot of Gorgo to read, and truth told not all of the stories are gems. But they are all a hoot, an echo from a time when comics were such plain unabashed fun, that stuff like this could be published without apology or qualm.

All of the Ditko Gorgo stories are here, as well as all the covers he produced for the series. Also showcased is some really great info on the classic movie and how the comics were an integral part of the marketing of the flick. Great Gorgo lore for any fan of the movie indeed.

Here's a cover gallery. Enjoy! The debut cover is by Dick Giordano if I'm any judge.

This final cover is by Bill Montes and Ernie Bache. These artists did a gaggle of Gorgo stories themselves and they did the cover here for an issue featuring Steve Ditko material inside. (It might be heresy in a post celebrating the great Ditko's art, but I actually prefer the Montes and Bache version to Ditko's.  Sadly, I doubt we ever see a collection of those stories, but there's always hope.)

Monsters are at their most fantastic when they are giant. More Charlton giant monster goodness tomorrow. 

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