Saturday, August 17, 2024

Nick Fury Agent Of SHIELD - File Three!


Following the epic war with Hydra, the SHIELD series was left with a problem -- how to top what had been a bravura performance. We had seen the series under the guidance of Steranko become a lithe and compelling visual spectacle. What could follow? Well, it turns out he reached into the dim recesses of Marvel's own past to pull out a baddie worthy of Nick Fury's agents -- The Yellow Claw!

(Joe Maneely)

One of the most vivid examples of the "Yellow Peril", Marvel's Asian evil mastermind Yellow Claw started his ominous career in his own rather too on-the-nose self-titled 1956 comic. His debut adventures were written by Al Feldstein and drawn by Atlas-era mainstay Joe Maneely.


The earliest stories introduce Yellow Claw himself, a supremely confident and thoroughly reprehensible genius who sells is talents to the Communist Chinese, or at least they suppose he has. He is opposed by noble FBI agent Jimmy Woo and torn between these two powerful men is Suwan, Yellow Claw's niece and Woo's true love. We also meet former Nazi  and regular henchman Fritz Von Voltzmann. The formula developed by Sax Rohmer in his Fu Manchu novels is in place here with the Yellow Claw perpetrating some villainy and Suwan working both sides while Jimmy Woo seeks to find a way to end the menace.

(John Severin)

That formula gets a shot of adrenaline when with the second issue Jack Kirby fresh from his long partnership with Joe Simon, steps in to handle both the art and writing chores. Suddenly Yellow Claw is working less for the Reds than for himself and the Communist angle is little mentioned. Also, his schemes become wilder and crazier and the art by Kirby with assists from his wife Roz, reflects that change.


Yellow Claw uses mutants to alter reality, and later tries to escape Woo aboard a ship with wild disguises, and uses a gigantic robot to fool some local natives into rampaging against the civilized world. It's all very rockem' sockem' with a frenetic pace.

(Bill Everett)

If anything, the second Kirby issue is stranger.


The Claw makes use of a squadron of "microscopic" soldiers to infiltrate U.S. secrets, he works in league with an actual alien who is dubbed "U.F.O. the Lightning Man",and makes use of a noxious sleeping potion to subdue whole cities. 

(John Severin)

The fourth and final issue of the series sees Kirby inked by John Severin and while that tones down the artwork a might, it doesn't limit the stories.


Yellow Claw enlists the aid of shadow people from another dimension, mutant birds who are creepily human, and a powerful psychic who puts people to sleep by means of television.

The stories are short little exotic masterpieces full of vigor and a bristling pace. Sometimes Jimmy Woo is effective, but often he is just lucky. The series ends with Suwan and Jimmy wondering where Yellow Claw will strike next. We'd have to wait a long, long time for that next assault. 


The story begins when Dum Dum Dugan, Gabe Jones, Jasper Sitwell and Laura Brown step away from the spotlight of the series for various reasons leaving Nick to find new allies. His first step is to go to the training center for SHIELD called UNIT and there he meets Sidney "The Gaff" Levine and Contessa Valentina Allegro De Fontaine.



Later he will meet the loquacious Clay Quartermain. He later battle trains with the inimitable Captain America.


This leads to the arrival of Jimmy Woo and then Nick tells the story of an event a few years earlier when New York City had famously gone dark. We learn that some mysterious armored soldiers had taken over Bedloe Island (home of the Statue of Liberty) and that Nick and Cap had fought them.


That battle ended up with the help of the Fantastic Four and an awesome battle which did indeed black out the city for a time. They never find out who was behind this scheme, but Jimmy Wood announces it was The Yellow Claw.


This leads Nick to confront the Yellow Claw directly and the mysterious Asian menace is able a few times to get Nick to fall into booby traps. He even manipulates SHIELD into gathering up the parts of a deadly death ray developed by Advanced Idea Mechanics.


Armed with this deadly device Yellow Claw and his forces take to the skies over NYC and prepare to destroy it when SHIELD is able to use the Helicarrier to attack and board the Claw's ship. Stalled but not defeated Yellow Claw withdraws to his hidden lair beneath the Hudson River.


But he is followed by Nick Fury and soon enough all of SHIELD as they wage a final and all-out war to stop the malignant forces of the Yellow Claw. The battle rages and seemingly the Claw's niece Suwan is killed but then a deadly secret is revealed that calls everything into question. I will not spoil one of the great hidden twists in Marvel lore.

 
I will not spoil one of the great hidden twists in Marvel lore. The ferocious climax was captured in this four-page scene which require two issues to enjoy in all its glory. 


Later after the battle, a weary Nick Fury dreams about what might happen if an alien descended and brought death and destruction to NYC. Fortunately, it's not the end of the world, but it is the end of Strange Tales. The series will become Doctor Strange and Nick Fury and his agents of SHIELD will get their own beautiful spanking brand-new number one issue.




More on that next time when Nick and his agents get their own comic all to themselves. 

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4 comments:

  1. China is currently the world's second biggest economy and could overtake the US by 2030 so nowadays there's a new "yellow peril" for America to panic about.

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    1. I've been hearing that China's economic growth is in peril itself, with a whole generation undermining the thing with a philosophy of "let it rot". Just lack of care and attention. But China like Russia has nukes, so it will always be a "peril".

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  2. I love Steranko's re-design of the Claw. The villain as drawn by both Maneely and Kirby is adequate but not that memorable. Steranko made the Claw look more physically challenging, partly through the addition of the armor and the skullcap. The facial features are bonier and thus more pronounced, and I had the thought that Steranko's Claw has a nodding resemblance to the forties actor Richard Loo, FWTW.

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    1. I had to look Richard Loo up, but I did find some poses that support your reasoning. I think the Claw is amazing as Steranko draws him, weird and almost inhuman.

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