Sunday, June 27, 2010

The Hound Of The Baskervilles - Chapter 1


I'm eager to read Arthur Conan Doyle's The Hound of the Baskervilles again. But I've got a ton of reading on my nightstand already. Then it occurred to me that it might be neat to serialize the novel here in this blog and read it as I went, a chapter at a time. So let's begin in a rather distinctive address on Baker Street in the heart of London.

The HOUND Of The BASKERVILLES

by A.C.Doyle


Chapter 1 - Mr.Sherlock Holmes


Mr. Sherlock Holmes, who was usually very late in the mornings, save upon those not infrequent occasions when he was up all night, was seated at the breakfast table. I stood upon the hearth-rug and picked up the stick which our visitor had left behind him the night before. It was a fine, thick piece of wood, bulbous-headed, of the sort which is known as a "Penang lawyer." Just under the head was a broad silver band nearly an inch across. "To James Mortimer, M.R.C.S., from his friends of the C.C.H.," was engraved upon it, with the date "1884." It was just such a stick as the old-fashioned family practitioner used to carry -- dignified, solid, and reassuring.

"Well, Watson, what do you make of it?"

Holmes was sitting with his back to me, and I had given him no sign of my occupation.

"How did you know what I was doing? I believe you have eyes in the back of your head."

"I have, at least, a well-polished, silver-plated coffee-pot in front of me," said he. "But, tell me, Watson, what do you make of our visitor's stick? Since we have been so unfortunate as to miss him and have no notion of his errand, this accidental souvenir becomes of importance. Let me hear you reconstruct the man by an examination of it."

"I think," said I, following as far as I could the methods of my companion, "that Dr. Mortimer is a successful, elderly medical man, well-esteemed since those who know him give him this mark of their appreciation."

"Good!" said Holmes. "Excellent!"

"I think also that the probability is in favour of his being a country practitioner who does a great deal of his visiting on foot."

"Why so?"

"Because this stick, though originally a very handsome one has been so knocked about that I can hardly imagine a town practitioner carrying it. The thick-iron ferrule is worn down, so it is evident that he has done a great amount of walking with it."

"Perfectly sound!" said Holmes.

"And then again, there is the 'friends of the C.C.H.' I should guess that to be the Something Hunt, the local hunt to whose members he has possibly given some surgical assistance, and which has made him a small presentation in return."

"Really, Watson, you excel yourself," said Holmes, pushing back his chair and lighting a cigarette. "I am bound to say that in all the accounts which you have been so good as to give of my own small achievements you have habitually underrated your own abilities. It may be that you are not yourself luminous, but you are a conductor of light. Some people without possessing genius have a remarkable power of stimulating it. I confess, my dear fellow, that I am very much in your debt."


He had never said as much before, and I must admit that his words gave me keen pleasure, for I had often been piqued by his indifference to my admiration and to the attempts which I had made to give publicity to his methods. I was proud, too, to think that I had so far mastered his system as to apply it in a way which earned his approval. He now took the stick from my hands and examined it for a few minutes with his naked eyes. Then with an expression of interest he laid down his cigarette, and carrying the cane to the window, he looked over it again with a convex lens.

"Interesting, though elementary," said he as he returned to his favourite corner of the settee. "There are certainly one or two indications upon the stick. It gives us the basis for several deductions."

"Has anything escaped me?" I asked with some self-importance. "I trust that there is nothing of consequence which I have overlooked?"

"I am afraid, my dear Watson, that most of your conclusions were erroneous. When I said that you stimulated me I meant, to be frank, that in noting your fallacies I was occasionally guided towards the truth. Not that you are entirely wrong in this instance. The man is certainly a country practitioner. And he walks a good deal."

"Then I was right."

"To that extent."

"But that was all."

"No, no, my dear Watson, not all -- by no means all. I would suggest, for example, that a presentation to a doctor is more likely to come from a hospital than from a hunt, and that when the initials 'C.C.' are placed before that hospital the words 'Charing Cross' very naturally suggest themselves."

"You may be right."

"The probability lies in that direction. And if we take this as a working hypothesis we have a fresh basis from which to start our construction of this unknown visitor."

"Well, then, supposing that 'C.C.H.' does stand for 'Charing Cross Hospital,' what further inferences may we draw?"

"Do none suggest themselves? You know my methods. Apply them!"

"I can only think of the obvious conclusion that the man has practised in town before going to the country."

"I think that we might venture a little farther than this. Look at it in this light. On what occasion would it be most probable that such a presentation would be made? When would his friends unite to give him a pledge of their good will? Obviously at the moment when Dr. Mortimer withdrew from the service of the hospital in order to start in practice for himself. We know there has been a presentation. We believe there has been a change from a town hospital to a country practice. Is it, then, stretching our inference too far to say that the presentation was on the occasion of the change?"

"It certainly seems probable."


"Now, you will observe that he could not have been on the staff of OHE hospital, since only a man well-established in a London practice could hold such a position, and such a one would not drift into the country. What was he, then? If he was in the hospital and yet not on the staff he could only have been a house-surgeon or a house-physician -- little more than a senior student. And he left five years ago -- the date is on the stick. So your grave, middle-aged family practitioner vanishes into thin air, my dear Watson, and there emerges a young fellow under thirty, amiable, unambitious, absent-minded, and the possessor of a favourite dog, which I should describe roughly as being larger than a terrier and smaller than a mastiff."

I laughed incredulously as Sherlock Holmes leaned back in his settee and blew little wavering rings of smoke up to the ceiling.

"As to the latter part, I have no means of checking you," said I, "but at least it is not difficult to find out a few particulars about the man's age and professional career." From my small medical shelf I took down the Medical Directory and turned up the name. There were several Mortimers, but only one who could be our visitor. I read his record aloud.

"Mortimer, James, M.R.C.S., 1882, Grimpen, Dartmoor, Devon. House-surgeon, from 1882 to 1884, at Charing Cross Hospital. Winner of the Jackson prize for Comparative Pathology, with essay entitled 'Is Disease a Reversion?' Corresponding member of the Swedish Pathological Society. Author of 'Some Freaks of Atavism' (Lancet 1882). 'Do We Progress?' (Journal of Psychology, March, 1883). Medical Officer for the parishes of Grimpen, Thorsley, and High Barrow."

"No mention of that local hunt, Watson," said Holmes with a mischievous smile, "but a country doctor, as you very astutely observed. I think that I am fairly justified in my inferences. As to the adjectives, I said, if I remember right, amiable, unambitious, and absent-minded. It is my experience that it is only an amiable man in this world who receives testimonials, only an unambitious one who abandons a London career for the country, and only an absent-minded one who leaves his stick and not his visiting-card after waiting an hour in your room."

"And the dog?"

"Has been in the habit of carrying this stick behind his master. Being a heavy stick the dog has held it tightly by the middle, and the marks of his teeth are very plainly visible. The dog's jaw, as shown in the space between these marks, is too broad in my opinion for a terrier and not broad enough for a mastiff. It may have been -- yes, by Jove, it is a curly-haired spaniel."

He had risen and paced the room as he spoke. Now he halted in the recess of the window. There was such a ring of conviction in his voice that I glanced up in surprise.

"My dear fellow, how can you possibly be so sure of that?"

"For the very simple reason that I see the dog himself on our very door-step, and there is the ring of its owner. Don't move, I beg you, Watson. He is a professional brother of yours, and your presence may be of assistance to me. Now is the dramatic moment of fate, Watson, when you hear a step upon the stair which is walking into your life, and you know not whether for good or ill. What does Dr. James Mortimer, the man of science, ask of Sherlock Holmes, the specialist in crime? Come in!"

The appearance of our visitor was a surprise to me, since I had expected a typical country practitioner. He was a very tall, thin man, with a long nose like a beak, which jutted out between two keen, gray eyes, set closely together and sparkling brightly from behind a pair of gold-rimmed glasses. He was clad in a professional but rather slovenly fashion, for his frock-coat was dingy and his trousers frayed. Though young, his long back was already bowed, and he walked with a forward thrust of his head and a general air of peering benevolence. As he entered his eyes fell upon the stick in Holmes's hand, and he ran towards it with an exclamation of joy. "I am so very glad," said he. "I was not sure whether I had left it here or in the Shipping Office. I would not lose that stick for the world."

"A presentation, I see," said Holmes.

"Yes, sir."

"From Charing Cross Hospital?"

"From one or two friends there on the occasion of my marriage."

"Dear, dear, that's bad!" said Holmes, shaking his head.

Dr. Mortimer blinked through his glasses in mild astonishment.

"Why was it bad?"

"Only that you have disarranged our little deductions. Your marriage, you say?"

"Yes, sir. I married, and so left the hospital, and with it all hopes of a consulting practice. It was necessary to make a home of my own."

"Come, come, we are not so far wrong, after all," said Holmes. "And now, Dr. James Mortimer --"

"Mister, sir, Mister -- a humble M.R.C.S."

"And a man of precise mind, evidently."

"A dabbler in science, Mr. Holmes, a picker up of shells on the shores of the great unknown ocean. I presume that it is Mr. Sherlock Holmes whom I am addressing and not --"

"No, this is my friend Dr. Watson."

"Glad to meet you, sir. I have heard your name mentioned in connection with that of your friend. You interest me very much, Mr. Holmes. I had hardly expected so dolichocephalic a skull or such well-marked supra-orbital development. Would you have any objection to my running my finger along your parietal fissure? A cast of your skull, sir, until the original is available, would be an ornament to any anthropological museum. It is not my intention to be fulsome, but I confess that I covet your skull."

Sherlock Holmes waved our strange visitor into a chair. "You are an enthusiast in your line of thought, I perceive, sir, as I am in mine," said he. "I observe from your forefinger that you make your own cigarettes. Have no hesitation in lighting one."

The man drew out paper and tobacco and twirled the one up in the other with surprising dexterity. He had long, quivering fingers as agile and restless as the antennae of an insect.

Holmes was silent, but his little darting glances showed me the interest which he took in our curious companion.

"I presume, sir," said he at last, "that it was not merely for the purpose of examining my skull that you have done me the honour to call here last night and again to-day?"

"No, sir, no; though I am happy to have had the opportunity of doing that as well. I came to you, Mr. Holmes, because I recognized that I am myself an unpractical man and because I am suddenly confronted with a most serious and extraordinary problem. Recognizing, as I do, that you are the second highest expert in Europe --"

"Indeed, sir! May I inquire who has the honour to be the first?" asked Holmes with some asperity.

"To the man of precisely scientific mind the work of Monsieur Bertillon must always appeal strongly."

"Then had you not better consult him?"

"I said, sir, to the precisely scientific mind. But as a practical man of affairs it is acknowledged that you stand alone. I trust, sir, that I have not inadvertently --"

"Just a little," said Holmes. "I think, Dr. Mortimer, you would do wisely if without more ado you would kindly tell me plainly what the exact nature of the problem is in which you demand my assistance."

End Chapter 1


More to come.

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The Dracula Horror Series!










These look like a ton of fun, cheesy and pulpy goodness featuring the classic Count! I don't have a one, but I'd love to read them. I've only been able to verify the existence of nine of these. I've read there is another by Robert Lory title Heart of Dracula that might be a tenth one.

The quality of the covers really deteriorates. The first few are outstanding and evoke grand horror ideas while the later ones by a decidedly less dynamic artist are more fantasy. Dracula becomes far less imposing on those later ones, a key to making the character effective I think.

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Saturday, June 26, 2010

Hero For Hire!


When Luke Cage, Hero for Hire #1 hit the stands I was mostly blissfully unaware of the concept of "Blaxploitation". I'd doubtless heard of Shaft but that was about it. I didn't realize that Luke Cage was Marvel's bid in a larger trend in popular culture.


All I knew was that the story of a tough guy in wrongly accused and in jail only to be given superpowers and then escaping to become not just another superhero, but a rather practical "hero for hire" was a fantastic premise for a series. Add to that the powerful layouts of George Tuska and the lush inks of Billy Graham and you had a near-perfect comic.

One of the key details that gets lost in later versions of the character is that the boots are blue. This really helps tie the design down and when the boots later became yellow, Cage looked a bit weird I thought, a bit too bright for his mileau somehow.


The debut issue features one of my all-time favorite covers. John Romita's Cage is a great design. The crouching figure suits his attitude, but also fits perfectly Marvel's then-standard box cover design. The cover was used a few more times, on some promotional items and on the much more recent Essential volume collecting Cage's early adventures. The Essential is the best version I think.


The cover was homaged by Dwayne Turner and Chris Ivy on Cage's 1992 series.


And here is a variation on the classic by Xurxo Penalta. To see more of these check out the blog Covered at this link.


And here's one where a guy took an "action figure" and replaced the classic Cage image.

As the cover says...Sensational!

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Atlas-Seaboard Month-By-Month - May 1975

May is a tiny production month for Atlas-Seaboard.

Only two color comics wear a May date.


IRONJAW #3 offers a tremendous tale by Fleisher and Marcos. Ironjaw, who in the previous issue rejected a kingship, finds his way back home to find his adopted father Tar-Lok. Tar-Lok is a grand character and his exchanges with Ironjaw are very entertaining. The two clearly have an affection for each other, but won't lift a hand to assist each other before a price has been bartered. There are robbers, sheriffs, and serpent-headed cannibals in this wildly imaginative tale that introduces us to the Great Machine, the god that Ironjaw worships and has invoked repeatedly in the first two issues. Well let's say the "Great Machine" is a relic from our time and is actually a humble humbug managed by a corrupt cleric more interested in the collection plate than his flock. Ironjaw is shown to be a naive yet devout individual who ignores his father's advice to quit throwing money at his "god". This a well-paced self-contained story with energetic artwork and a very entertaining and funny script.


SCORPION #2 gives us another Moro Frost adventure. This time there is voodoo and curses galore. The Ernie Colon cover isn't all that accurate of what goes on inside the book so beware. The story is another period piece, a bit confusing in places but filled with vivid characters and situations. The artwork is another group-project with diverse hands throughout. This is another indication that Atlas is fragmenting, and Chaykin has clearly pulled away from the project.


Aside from the B&W DEVILINA magazine, this is the whole of the Atlas-Seaboard May offerings. One more month and the train comes off the rails for good.

More to come.

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Friday, June 25, 2010

The Boy Phantom - Movie Review!


I finally was able to sit down and finish SyFy's Phantom update. I started it Sunday night but fell asleep. Carving out enough time to finish it during the day has been difficult but at last I was able to, and it's just about what I expected given the bit I'd already seen.

Somewhat dull.

I'm a lover of Lee Falk's Phantom, but I'm not reflexively against updates of the character to make it work in a different medium. But alas this one while having virtues doesn't keep enough visual details to make it distinctly a Phantom project. If this mini-series had been title "Dark Avenger" it would've been pretty entertaining. But for a project starring a classic hero like the Phantom and for it to last four hours and not have one single encounter with any baddie in anything remotely resembling a jungle is just not Phantom-like by my standards.


And then there's the suit. It's just not recognizably The Phantom. There's too much change here. Modify it sure, add the armor if you wish, but keep the elements of the original somewhat intact so that I can know this is the Phantom. This costume is just not getting that done. It's too generic and it's not sufficiently mythic enough to work, too practical. I see the influence of the second Batman movie in this project quite a bit, too much so really. Oh and did you notice that while in the suit he can't really get his arms to folded completely at his side, they just sort of flay out a bit like a snowsuit gone wrong.

And then there's the height. I don't want to be mean, but why in heaven's name was an actor physically shorter than practically everyone else in the ensemble cast as the classic heroic lead. He's an okay actor, but he doesn't communicate Phantom to me at all. Even in the suit he is visually small. It works for Wolverine but not this character. The Phantom needs to visually dominate the scene, he needs to by his very presence communicate control and power and intelligence. The little fellow obscured in the armor here doesn't do any of that.

And then there's the pacing. I know it's a mini-series really and there are some interesting twists in the plot, but by and large the story mopes along at a very creaky pace, especially the second half which actually should pick up momentum. The villains aren't really scary despite their posturing and while I liked the notion of the twins as opponents it wasn't really developed enough to make the match up really sing like it should.

And then there's the fighting. Despite setting up the fact that Kit/Chris is extremely agile, his fighting style as the Phantom is basically to take bullet hits repeatedly and then shoot his opponents into submission. He only really makes use of his agility twice in the story and then it's not all that compelling, nor does it seem core to his style.

But there are a few details I did like. While I think it's a pretty complicated scenario to get Kit lost for two decades and be raised by other folks, it does as the story suggest make him just like the original Phantom, a man who must develop his role as a hero and not someone reared for it from birth. That's an interesting dynamic for this classic hero, a neat spin. But that said, I think he comes into his role a bit too easily.


I see they've set up a series here, and I rather liked the double twist at the end. But hopefully if they ever do more (which I doubt) they recast the main role, someone who doesn't look like a kid on screen, and while they're at it make that suit a bit more Phantomy.

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RKO's Dick Tracy!


I just finished watching all four of RKO's Dick Tracy movies. These are solid little movies, with stlyish noir details and brisk compelling plots. I frankly was surprised how good they were.

Dick Tracy, Detective stars Morgan Conway as the eponymous detective and he's terrific. Conway has a deep voice and a presence that really sell the notion he's a tough as nails detective; when he leans into a baddie you buy it. And while he might not necessarily look like the classic Tracy we know today, I think he resembles the original Tracy in the earliest strips quite a bit. The first movie involves a villain named Splitface who at first appears to be a wild serial slasher, but with investigation it turns out there is a method to his murders. There is a slick balance between the investigations on the shadowy streets and an oddly warm home life for Dick and Tess Trueheart played by Anne Jeffreys. There's even a sub-plot with Junior who is just on screen long enough to not get annoying. Lyle Latell is Pat Patton. Mike Mazurki as Splitface is outstanding, and he offers up a really frightening and merciless killer. The balance between humor and suspense is nearly perfect in this one.


Dick Tracey Vs. Cueball again stars Morgan Conway as Tracy, and Jeffreys plays Tess again. Cueball is played by Dick Wessel and he's a strangler involved with diamond thieves. His murderous tendencies run afoul of the plot the others wish to pursue to glean profit from the theft, but he doesn't seem to care. This is not quite as tight as the first movie, but it's still got plenty of noirish action to satisfy those cravings. Ian Keith turns up as Vitamin Flintheart and he's outstanding in the role. Lyle Latell is back as Pat Patton and he's pretty entertaining. The characters are a bit broader in this one, more in the style of the comic strip, but mildly less effective on the big screen.


Dick Tracy's Dilemma sees Ralph Byrd take on the lead role, one he was familiar with from the serials. He is a handsome enough fellow and looks the role well enough but alas he is too affable to be as effective as Conway. The story involves fur thieves and a rough customer named The Claw played by Jack Lambert who uses his hook hand to commit his murders. There are a lot of twists in this one, and again a bit more humor. Junior who had been the previous two movies is absent from this one and the next. Kay Christopher is Tess and she's lovely. Ian Keith as Vitamin Flintheart plays a big role in this one, and there's a charming character called Sightless. Lyle Latell returns as Pat Patton and his set pieces of comedy seem to be larger and more frequent. The action in this is shootouts and missing is the car chase which was a key set piece of each of the previous two movies.


Dick Tracy Meets Gruesome is doubtless the most famous of these movies, and that's because of Boris Karloff who plays the murderous Gruesome a thug just out of prison who immediately is looking for action and finds it with his pal Melody using suspended animation gas to rob banks. Ralph Byrd is back as well as Ian Keith and Lyle Latell. Anne Gwynne takes on the Tess role. The plot is wilder than any of the previous movies and the noir details while visually present are undercut a bit by the quasi-science fiction feel of the story. The movie is pretty interested in maximizing the star power of Karloff, even referencing his name at one point. But a number of scenes reminded me of the classic Frankenstein, especially with Gruesome rising from the dead in the morgue and the climax where he is chasing Tracy around a car. The humor is much bigger in this one and centers around Lyle Latell as Pat Patton, and while it's still an entertaining movie for sure, not really the suspense thriller the first few were.

Overall, these are terrific little movies, helped immensely by running times of just over an hour. The stories are brisk and the action is pretty darn good. My wife who walked in on one showing commented on the speed of the dialogue and that's another detail that helps keep these movies running along neatly.

When Ian Keith pops those vitamins into his mouth he's right out of the comic strip.

Dandy entertainment!

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Thursday, June 24, 2010

The Valley Of Fear!


This clever republication of Arthur Conan Doyle's classic Sherlock Holmes story The Valley of Fear by Hardcase Crime is very attractive, and despite owning the story several times, I think I might pop for it the next time I'm in my local Borders. That's an alluring and evocative cover which appeals to a whole other demographic than those who only prowl the foggy gaslit realm of Baker Street.

Attempting to sell a Sherlock Holmes story minus the famous detectives monicker is a brash and witty thing to try. I applaud the effort.


Usually Sherlock's name obliterates all other information on a cover, and sadly makes for some rather bland images. One thing about that Glen Orbik cover, it's not bland.


I recently saw The Valley of Fear adapted to film starring Arthur Wontner as Holmes and Ian Fleming as Watson. The movie is titled The Triumph of Sherlock Holmes and despite the bland title, it was a very interesting adaptation. Based on real events, it's true to the book as I remember it and offers long stretches without the London detective. It kept me interested right up to the end, despite my knowing the twist. That's what a good Sherlock movie has got to do, make the trip fun since the destination is well known to most.

I might be ripe to read it again. And I know just the volume I want to read.

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