The story begins in Canada as we watch a man seemingly transform into a werewolf, who then attacks a car containing Alex Savage, Doc's uncle and Pat Savage's father. Next, we cut to Doc's skyscraper headquarters, and he is getting a call from Pat telling him of the tragic murder of her father. Doc along with Monk, Ham, and Renny head off to Canada. They end up taking a train on which they meet Senor Corto Ovega, his daughter, and a man named El Rabannos. There is an attack on Doc's train compartment using gas. After rescuing his team, Doc then finds the same gas used in the compartment of the Ovjeas. Then the train comes to an abrubt halt because the tracks are blocked by timber, and the Ovejas and El Rabannos leave the train headed into the woods. Doc has his men follow them while he helps get the train tracks cleared. He quickly is under attack by thugs, but dispatches them quickly. Meanwhile Pat and her Indian servants Tiny and her husband Boatface hear howling. Pat goes to search but returns and finds her servants unconscious. She knows what the attackers wanted, a cube with a strange brand of a werewolf. Boatface sees where this is hidden and soon steals it and takes it into the woods for a clandestine meeting with the Werewolf rejects Boatface's attempts to raise the price and who attacks and kills him. Doc and his men get back together in time to see a mysterious plane leaving a remote hanger, one they'd seen from the train. They find Alex Savage's grave and the body of Boatface along with the peculiar clues of pine bark and a ptarmigan feather. Doc heads out across the trail of the killers but finds the trail stops at a ravine with a single rope across it. He takes a balancing pole and starts across when a sniper shoots him, causing him to fall.
Doc Savage #8 concludes the story and the series run. The story is titled "Werewolf's Lair!" and is written by Tony Isabella and drawn by Rich Buckler. The inks are by both Tom Palmer and Jack Abel who alternate throughout the story. The cover is another Buckler effort inked by Klaus Janson.
The story picks up with Doc grabbing the rope across the ravine to save his life but then a second shot sends him falling out of sight. The gunman is quite pleased and goes back to camp to encounter the Werewolf. Pat and Tiny have been captured by the thugs but Pat tries to escape with Tiny. They are recaptured when suddenly Doc appears and battles thier captors. The three head off into the woods while Doc explains to Pat what's been going on and explains how a nearly invisible wire had saved his life at the ravine. The trio encounter the Werewolf but Doc quickly dispatches the "monster" revealing him to be a man in an elaborate costume, but more men arrive and they flee. The trio meet up with Monk, Ham, and Renny at Pat's cabin and suddenly Senorita Cere Oveja shows up. She explains that she and her father are descended from Alfredo Leon, a 17th century pirate called "The Werewolf". He apparently had a treasure that he'd hidden in the region and the cube was the only means to discover it. Doc has him men go and find the cube hidden in a ptarmigan nest as he'd suspected by Boatface. Then quickly it's revealed that the cube unfolds to make a map showing the location of the treasure. Then the Werewolf and his gang return, use gas to capture Doc and the team and take to a mine that held the treasure. Doc wakes up tied and it's revealed that El Rabannos is behind the gang. But Doc and his men had been faking and a fight erupts in which the Werewolf and the gang are subdued including the Ovejos who turn out to be part of the scheme. Doc and his men are just able to save the Ovejos and the treasure before the mine collapse killing the remainder of the gang. The story ends with Pat vowing to join Doc's team and the treasure headed to do good works. The story closes with a quote from Doc's Code and that ends the initial run of Marvel's Doc Savage.
It's announced in the letters page of this issue (for the record the letters page is titled "What's Up Doc?") that the series is being cancelled due to poor sales. Apparently, the series was being retooled a bit with Tony Isabella scheduled to continue as the regular writer while apparently Rich Buckler was coming on as the new regular artist. Whatever the case, the last issue is a jumbled affair showing that it was produced with a great deal of speed. It's unfortunate that the series goes out on such a low note. Also, I never knew it, but the original pulp tale doesn't have any werewolf in it at all, but for the more visual comics medium a man in a costume looking much like Jack Russel's Werewolf by Night was thought necessary. I don't disagree, as the lack of any werewolf (real or fake) in the pulp was a disappointment for me. Both the original pulp and the Bantam novel covers even show one, but alas not to be.
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| Walter Baumhoffer |
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| James Bama |
But Doc Savage wasn't quite done at Marvel. Next up are visits with the Friendly Neighborhood Spider-Man and the Ever Lovin' Blue-Eyed Thing!
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It would have been interesting to see Rich Buckler do more issues ( with the right inker) . Doc Savage and Spider-Man and the Thing sounds interesting maybe if they published these tales before his last issue ( or did they?) it may have lasted a bit longer .
ReplyDeleteNone of the crossovers came in time to help raise the profile of Doc among regular MU readers I'm afraid. Marvel didn't really give Doc much of a chance I thought, given how different the comics were. Maybe it was the heavy plots which rumbled along at breakneck speed. The characterization was pretty slight all things considered.
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