Friday, November 6, 2020

Man Of Ditko!


Steve Ditko's Superman ain't like anyone else's version. In this highly symbolic poster shot done for Superman #400 we see Superman standing proud between darkened corrupt enemies of society and order and presumably the preferred well-organized and upright citizens of a properly patriotic nation. That flag makes this a very American image. The deficiency is that the world seen here is a white one exclusively. I don't offer that up as a criticism or charge of any ill feeling on Ditko's part, but perhaps suggesting a blind spot. It's no accident that the man in the forefront is wearing an "A", Ditko's symbol of proper understanding of the universe in which "A is A". I find it striking that Superman here is breaking what appear to be Kryptonite chains, perhaps suggesting he's a figure now evolved beyond the limits of his heritage. That fact that he walks seemingly unafraid or perhaps even unaware of the darkness at his elbow is telling us that darkness is only scary when you stare into it, and lose your way. Superman here is clearing a path for his fellow men and women through the dangers of this universe. That sounds about right. 


But of course Ditko wasn't alone in that anniversary issue. Here are few more renditions of the Man of Steel  by a host of legendary artists. 







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6 comments:

  1. I have not seen these images in years (my own copy long since gone the way of all material things). Thanks so much for bringing these into the light once more.

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    1. It was a treat for me as well. That was a big deal comic back when anniversary comics didn't show up every other month.

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  2. That Ditko drawing of Supes is just plain awful. The arms are too long for a start, and he has the face of a hillbilly. How the mighty have fallen.

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    1. Is it that the arms are too long or the legs too short. I've seen this in other Ditko drawings. As for the "hillbilly" comment, all I have to say is watch it Bub...I'm a hillbilly. (Just joking :))

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    2. To be honest, I don't think much of the Kirby drawing either. Sadly, both artists were long past their best. Gives me no pleasure to say it, but it's true, alas.

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    3. By the 80's I'd have to agree. Ditko's storytelling stayed in form, but his ability to draw (perhaps his interest in projects not his own) was truly diminishing.

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