Wednesday, July 28, 2010

The Father Of Science Fiction Art!


I adore this cover from Amazing Stories. It captures the romance and the adventure and the menace of the tripods better than almost any I've ever seen. Most illustrations alas make the machines slow, this one shows their speed splendidly.

I found this vivid and lively artwork on a lovely tome on the discount shelves at my local Barnes & Noble yesterday. Not only does it sport arguably the greatest War of the Worlds art ever, but it's filled to overflowing with images by the great Frank R. Paul.


Paul's art can be quaint today, but he was a certainly a definitive artist of his time. For much more on Paul see this link.

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The Scream Queen Trilogy!




I can be something of a dunce from time to time. Despite collecting and viewing with great relish the three flicks Doctor X, Mystery in the Wax Museum, and The Vampire Bat it never once occurred to me that all three feature the same leading duo of the original "Scream Queen" Fay Wray and one of my favorite Golden Age actors Lionel Atwill. I knew they were in these movies, but I'd never once considered (or at best had all but forgotten) that these three flicks are connected productions.

Both Doctor X and Mystery in the Wax Museum are two-strip color productions from Warner Brothers, both wonderfully lurid horror flicks directed with luster by Michael Curtiz, which are so raw that they are unpredictable. The conventions of horror are present, but they are not locked in to the point of destroying a sense of surprise. These movies have definite twists.


Doctor X tells the story of the "Moon Killer" a deranged cannibal who lurks in the night and kills all manner of folks and seems to be connected to Doctor Xavier's surgical research center. Atwill plays Doctor X and a ravishing Fay Wray plays Xavier's daughter with a loopy reporter-type in the male lead, such as it is. Xavier gets permission from the police to conduct some wacky investigation involving an outlandish lie detector he's concocted and it goes horribly awry. There's some outstanding action in this one and some truly strange images when the Moon Killer is revealed.


Mystery in the Wax Museum is the most famous of this trilogy and was the follow up to the reasonably successful Doctor X. It's a story most know of a sculptor played by Atwill who is disfigured and seeks revenge and a means to recreate his art in perhaps the most insane way possible. House of Wax starring Vincent Price is the more famous remake, but in my estimation I find the original infinitely more watchable. That's in no small part to the lovely Wray who is the chief victim in this one, if not the chief female character.The reporter role here goes to the wonderfully funny Glenda Farrell. The sets if anything are more bizarre than in Doctor X, and those were strange for sure.


Now apparently while the post-production of Mystery in the Wax Museum was underway, an independent company called Majestic hired Atwill and Wray and used the publicity of their familiar teaming to make The Vampire Bat. This is a movie that makes use of old Universal sets and adds Dwight Frye to the cast making it as near a Universal monster movie as it's possible to make without actually doing it. It features Atwill as the suspicious doctor in a typical vague European town plagued by a seeming vampire. Melvin Douglas is on board as the resident skeptic and inspector. This movie turns out to be a wonderful blend of Dracula by way of The Cabinet of Dr. Caligari and Frankenstein.

This last movie was a quickie and all of these flicks were made and in the theatre before Fay Wray appeared in her defining role in King Kong. Her chemistry with Atwill is tremendous in these movies and even in the one where he plays her father there's no small amount of sexual tension, as unsettling as that seems. Atwill shows up in all three films with an urbane smoothness that can be quite creepy. Kong might've been her biggest co-star for sure, but Atwill was certainly a worthy contender.

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Hold 'Em If You Got 'Em!


I knew this cover from ACG featuring reprints starring a 90's revamp (pun intended...hee hee) of the Scary Tales ghost hostess Baroness R.H. Von Bludd reminded me of something. But it was only when I chanced upon these other "homages" at the Grand Comic-Book Database that I remembered where I'd see that particular pose.



Oh Janet you were such a scamp!


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Tuesday, July 27, 2010

Atlas-Seaboard - A Few More Things!


I'm closing off my current look back at Atlas-Seaboard with these last two publications, neither of which I have nor have ever seen in person.

Above is Gothic Romances a one-time only magazine that hoped to add women to the Atlas-Seaboard reading audience, despite all the content appealing to boys and men they published otherwise.

It features a fantastic painted cover by Elaine Duillo, artwork used again on a novel entitled The Conservatory written by Phyllis Hastings.


There are a few bits of spot artwork by Howie Chaykin, Ernie Colon, and Neal Adams in this book, but it's really not a comic book, though a collectible for dieheard Atlas-Seaboard fans for sure.


My Secret is another magazine, more recently identified as part of the Atlas-Seabaord cache, but this despite its evocative Marvelesque cover image has no comics content whatsoever according to reports.

And that wraps up my look back at the summer of 1975, when a new kid showed up on the block, but who quickly got knocked down because of a combination of poor management and a weak economy. Though the Atlas-Seaboard material shows up in foreign formats sometimes, the rights to it still remain locked up as far as I know.

The stuff is still pretty cheap on the back issue market, save for a few gems like those above. But this material like the stuff from Tower Comics and Skywald Comics would make for some great reprints, and I suspect might well find an audience today.

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Monday, July 26, 2010

A Great Pair Of Logos!


I cannot but help to think the creators of this vintage 1930's classic for the company that would be known as Sono Art-Worldwide Pictures before its absorption into Monogram and eventually Paramount, didn't know what they had on their hands so to speak.

Want to see them spin? You know you do.



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Atlas-Seaboard Movie Monsters Mags!

Harryhausen's Cyclops by Greg Theakston

Doctor Zaius by Greg Theakston

Phantom of the Opera by George Torjussen

The Thing by George Torjussen


I gathered these Atlas-Seaboard gems up many years ago. As Famous Monsters of Filmland knockoffs go, these are really good ones. The first issue bears a December date and might well be the first Atlas-Seaboard publication, though that's suspect.

Greg Theakston, he of Pure Imagination Publishing fame and creator of the process of "Theakstonization" for cleaning up smudge and dirty comic pages, turns in two really evocative images for issues one and two. I especially like the Cyclops, the misbegotten but very memorable monster from Ray Harryhausen's Sinbad epic.

George Torjussen though really knocks it out of the park with his two paintings, especially the final one featuring The Thing from Outer Space. That's a fantastic image, and Torjussen has related how he had to watch the movie on late night television to remember what The Thing looked like. He sure did though, giving us a real insight into the shadowing invader.

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Sunday, July 25, 2010

Hawkeye Reads Comics!


I adore this single page by the incomparable John Buscema and George Klein. These two blended their talents all too briefly on the Assemblers, but they created some exciting pages between them in that tiny period of time.


For one thing I like comic book pages where characters read comics, especially recognizable comics. It's fun, and suits the personality of Hawkeye (not yet revealed to be Clint Barton yet) perfectly.


And for another thing, his page is a clever multiverse-bending ending to a story from Not Brand Echh #12. The whole story can be found here at the Diversions of the Groovy Kind Blog.

The story by Roy Thomas and Tom Sutton is pretty funny and involves these "Resemblers"...er..."Revengers" at a very particular time in their history when they were arguably at their weakest. The team consisted of Goliath, the Wasp, Hawkeye, the Black Panther and brand new member the largely untried Vision.


In fact this story had to happen in between issues #58 and #59 of the Avengers run since that is the only possible time that the assembled team pictured so elegantly by Buscema and Klein ever existed. The Vision became an Avenger in issue #58 and the erratic Hank Pym doffed his Goliath duds to become Yellowjacket in issue #59.


So it is in the pages of Not Brand Echh of all places, in this weird fusion of the of the Marvel and Marble universes where we find this Avengers team assembled for the one and only time really.


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