Ray Harryhausen was a dynamic film creator, but it was the work on Sinbad the Sailor in bright color and stunning "Dynarama" which made him something of a household name, at least in households which harbored at least one "Monster Kid" reared on Forry Ackerman's Famous Monsters of Filmland.
I've seen The 7th Voyage of Sinbad many many times, but always in the context of the fact it's an important Ray Harryhausen movie. This time I was watching it as part of a long part of films drawn from the mythology of The Arabian Nights. So I have to say the story was more a focus than the techniques of filming for the very first time, which sadly should be the way one watches any movie.
I will assume everyone has seen this movie, so this is a spoiler rich overview. I've never been particularly warm to Kerwin Mathews as Sinbad, but this time his performance didn't annoy as much as it has in the past. I was more plugged into Sinbad as a character and frankly he's quite the piece of work. Head over heels in love with his Princess (Kathryn Grant) he puts everyone else around him at extreme risk and frankly their lives are less important to him than hers or his own.
Beyond the striking creations of the Cyclops and the Dragon, this movie offers up a fantastic villain in Torin Thatcher as Sokurah the Magician. His grasping for power is what motivates all the action in the movie and his schemes put all the characters into extreme danger, but it's readily evident he cares not a whit for anyone. Even his own personal safety is secondary to his getting and keeping power, particularly the magic lamp which will give him control of a very youthful-looking genie.
The scene pictured above of Kerwin Mathews at the wheel of his ship was mentioned in some of the extra material I watched and he said he was incredibly ill on the day this scene was shot and he stepped out of his sickbed for this one scene only. It has become a signature image for the movie thanks to the comic and the soundtrack album which both sport it as a cover.
Marvel adapted the story, combining in one vigorous image by Gil Kane and Joe Sinnott Sinbad, his Princess, the Cyclops and the deadly sword-swinging skeletons.
(Kathryn Grant and an admirer.)
Years later the team of Schneer and Harryhausen struck again.
The Golden Voyage of Sinbad from 1973 is a diamond in the rough when it comes to Sinbad lore. John Phillip Law is my favorite of the three Captains Sinbad who appeared in the Schneer-Harryhausen fantasy films. He feels like a rogue who could be a hero.
He comes across as more legitimate visually and tonally than does Kerwin Mathews and both of them are much better actors than the later Patrick Wayne. Teamed with the exotic and attractive Caroline Munro and you have a delightful pair of protagonists to watch as the adventures unfold.
The villain of this one is Prince Koura played wonderfully by Tom Baker. Reports say that his performance here convinced the Doctor Who folks to give him that gig which made him a superstar among fantasy fans. If he'd never been Who, he'd still have been one of the best villains in a Sinbad movie. The way his magical efforts keep draining him as the movie progresses is remarkable to watch. I was also struck by the loyalty his man has for him throughout the film, which never waivers. Koura must have some characteristic which instills such loyalty, making him a worthy opponent.
The battle with the goddess Kali is among my favorite Harryhausen moments in any of his films and works beautifully in this one. I think I might like it a little better than the famous skeleton fight from Jason and the Argonauts...a little. The Centuar and the Griffin are fine as they go, but lack the visual impact of earlier Harryhausen beasts like the Cyclops or the Hydra.
This movie got the full adaptation treatment from Mighty Marvel in two issues of the science fiction comic Worlds Unknown. Clearly the folks at Marvel saw potential in crossing over these stories with fans of Conan.
And for fans of the lovely dames here you go. First with other castmates and then by her lovely lonesome.
Sinbad and the Eye of the Tiger is a diverting adventure tale with lots of delightful fantasy elements blended into it. It's hurt from the get-go by its lead Patrick Wayne. Sadly, Wayne is simply not up to the role and while perfectly handsome enough lacks the acting chops to hang with pros like Patrick Troughton and Margaret Whiting. Fortunately for Wayne he has relative novices alongside him such as pretty Taryn Power and a lovely up and coming Jane Seymour. Both are absolutely lovely to look at, but their acting in this vehicle at least is pretty indifferent.
On the Harryhausen special effects front, this is a movie with strengths and weaknesses, but mostly lost opportunities. The Minoton which dominates a lot of screen time marches all the way to the top fo the world with the villains but then gets crushed moments before a potentially awesome battle with the Troglodyte who ends up fighting a Sabretooth tiger instead. Why not have both. Harryhausen has said this movie was a bit of a rush job, in response to good ticket sales on The Golden Voyage several years before and frankly it shows.
The show even fails to my mind to make full use of such awe-inspiring sights as Petra which is only glimpsed in the early parts of the movie. Apparently none of the main actors went to the location and that really damages the sense of wonder which could have been achieved there.
The story itself seems a patch job, too similar in many respects to the earlier Golden Voyage. This is the only one of the three Sinbad movies I got to see in the theater and I remember being diverted by it at the time. But having seen the others, the deficiencies in this entry are sadly all too apparent.
But the ladies were beauteous! Behold!
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The Golden Voyage of Sinbad from 1973 is a diamond in the rough when it comes to Sinbad lore. John Phillip Law is my favorite of the three Captains Sinbad who appeared in the Schneer-Harryhausen fantasy films. He feels like a rogue who could be a hero.
He comes across as more legitimate visually and tonally than does Kerwin Mathews and both of them are much better actors than the later Patrick Wayne. Teamed with the exotic and attractive Caroline Munro and you have a delightful pair of protagonists to watch as the adventures unfold.
The villain of this one is Prince Koura played wonderfully by Tom Baker. Reports say that his performance here convinced the Doctor Who folks to give him that gig which made him a superstar among fantasy fans. If he'd never been Who, he'd still have been one of the best villains in a Sinbad movie. The way his magical efforts keep draining him as the movie progresses is remarkable to watch. I was also struck by the loyalty his man has for him throughout the film, which never waivers. Koura must have some characteristic which instills such loyalty, making him a worthy opponent.
The battle with the goddess Kali is among my favorite Harryhausen moments in any of his films and works beautifully in this one. I think I might like it a little better than the famous skeleton fight from Jason and the Argonauts...a little. The Centuar and the Griffin are fine as they go, but lack the visual impact of earlier Harryhausen beasts like the Cyclops or the Hydra.
This movie got the full adaptation treatment from Mighty Marvel in two issues of the science fiction comic Worlds Unknown. Clearly the folks at Marvel saw potential in crossing over these stories with fans of Conan.
And for fans of the lovely dames here you go. First with other castmates and then by her lovely lonesome.
(Caroline Munro)
But Harryhausen and company were not finished.
Sinbad and the Eye of the Tiger is a diverting adventure tale with lots of delightful fantasy elements blended into it. It's hurt from the get-go by its lead Patrick Wayne. Sadly, Wayne is simply not up to the role and while perfectly handsome enough lacks the acting chops to hang with pros like Patrick Troughton and Margaret Whiting. Fortunately for Wayne he has relative novices alongside him such as pretty Taryn Power and a lovely up and coming Jane Seymour. Both are absolutely lovely to look at, but their acting in this vehicle at least is pretty indifferent.
On the Harryhausen special effects front, this is a movie with strengths and weaknesses, but mostly lost opportunities. The Minoton which dominates a lot of screen time marches all the way to the top fo the world with the villains but then gets crushed moments before a potentially awesome battle with the Troglodyte who ends up fighting a Sabretooth tiger instead. Why not have both. Harryhausen has said this movie was a bit of a rush job, in response to good ticket sales on The Golden Voyage several years before and frankly it shows.
The show even fails to my mind to make full use of such awe-inspiring sights as Petra which is only glimpsed in the early parts of the movie. Apparently none of the main actors went to the location and that really damages the sense of wonder which could have been achieved there.
The story itself seems a patch job, too similar in many respects to the earlier Golden Voyage. This is the only one of the three Sinbad movies I got to see in the theater and I remember being diverted by it at the time. But having seen the others, the deficiencies in this entry are sadly all too apparent.
But the ladies were beauteous! Behold!
(Jane Seymour)
(Taryn Power)
Marvel neglected to offer up any adaptation of this movie. It was left to the generically named "General Publishing" outfit to fill the bill with a version drawn by Ian Gibson. For more on the Sinbad adaptations check out this highly informative article "The Seven Comics of Sinbad" at Darkworlds Quarterly.
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