The monster showed up in two early 1950's Atlas monster comics, and during the monster boom of the early 70's was revived again in this series.
IT found itself fighting other vintage Atlas monsters like the Giant Gargoyles from space, and the ultimate Marvel monster Fin Fang Foom.
The artwork was typical sturdy Ayers. The way the blended old story elements, actual pages and panels from the old comics, struck me as clever then. I'm sure some would attack the technique as cheesy and cheapjack. I liked it then, and I still do. The stories were plots merely meant to offer some excuse to have big monsters fight, but that was adequate and actually true to the genre.
I have a fondness for these. The Gil Kane covers for two issues are superb, two of his best at at a time when he was cranking them out. He clearly was inspired by the visual opportunities this giant monster gave to him. The other two covers are pretty good too, though I've often wished the final battle with Fin Fang Foom had a bit more oomph. But one can't have everything.
I was (still am ) a sucker for these type of monster comics. Although at the time I didn't think this series was that good I have grown to appreciae it more as i have gottten older. Those covers especially issue 22, just scream " buy me" great stuff again .
ReplyDeleteI have always loved giant monsters whether in comics, movies, or any other format. During Marvel's monster boom this one was always an oddball but I wished good things for it at the time. It had the wonky spirit of those vintage movies I loved to catch on the TV.
DeleteAgree with you about Kane. Although he was a very skilled artist, some of his covers didn't seem to be up to his standard. You could really tell, though, when he was inspired and few could match his dynamic images when that happened.
ReplyDeleteIt was just a matter of too many covers produced too quickly. And it didn't help that Marvel used that odd box to contain the artwork for a time when Kane was primary cover artist.
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