As the original artwork for the issue shows, the costume was originally to have featured short pants. I'm pretty much pleased they decided not to go that direction.
It was part of a long yarn in which the Red Skull had used the Cosmic Cube to transfer his consciousness into Cap's body and vice versa. Bereft of his "Super-Soldier" might the Living Legend had to resort to his wits and on a brave young black man from the heart of Harlem who was especially good with falcons. His affinity with one falcon in particular named Redwing. He had been hired by the Exiles, ignorant of their true nature and now was fighting against them to help the natives on their island escape their thrall.
Cap saw the potential and had Sam Wilson put together some fighting togs and off they went to fight crime. I've always preferred these original colors and I consider the falconer's glove an essential element.
The defeated the over-confident Red Skull and then were shifted back to the United States where they parted company. Cap to seek a different direction and the Falcon to pursue his new one -- fighting for his people on the streets and alleys of Harlem.
They fought together again, when a gang dubbed "The Diamond Heads" had the Falcon on the run for his life. Cap came along just in time to help defeat the enemy and it's probably then that a new idea was beginning to grow.
It would take many months later when A.I,M. attached Cap himself on the streets of Harlem by using an android to knock down the old buildings and gain some short-sighted support from the denizens that Cap and the Falcon fought together again. They defeated the schemes of the enemy and then Cap made Falcon on offer he couldn't refuse.
And then something quite radical happens. The Falcon's name joins Cap's on the cover (though the official title of the comic never changes) and that would be the way it would be for many years to come. Captain America and the The Falcon were a team for the times. The Living Legend in red, white, and blue and social worker Sam Wilson in his vibrant green and gold.
They end up fighting for and against SHIELD when one of its agents turns himself into a ferocious giant gorilla and they all end up fighting the Mole Man and his minions deep beneath the surface of the Earth.
The only time I recollect that the green and gold Falcon appeared outside of the Captain America comic was in an issue of the Avengers when the team took on Psyklop thanks to the imagination of Harlan Ellison among others.
Already Sam Wilson is begining to chafe at the partnership when he feels it necessary to track down Spider-Man on his own. Gene Colan leaves the title in the middle of his tale and Johnny Romita steps in. The Falcon has never looked better than he did when Romita drew him during this era. Romita has a real knack for drawing handsome black men and women.
Stan feels the need to introduced a real sideswipe to the proceedings when he has Cap become an undercover rookie policeman. It's an interesting callback to the Golden Age when he was a buck private under the heel of an abusive non-com. Here Officer Rogers gets dressed down by a cat named Muldoon.
The Falcon and Cap find their way to working together again when the Gray Gargoyle whips up a zany scheme to get control of some secret element which will give him power enough for world domination, or so he thinks before Cap and Falc send him into orbit for a few rotations. This one features a spaceship made of stone and that's enough to make any good comic book and sci-fi fan shake his head.
The green and gold Falcon makes his last hoorah fighting on the streets of Harlem and alongside Cap when they try to stop a race riot from breaking out. This is a humdinger of a giant-size story and features the old Red Skull, inexplicably back for more. It's fitting he's the villain that the original Falcon goes out on. The cover gives a hint of what's to come.
In the very next issue we see the new red and white Falcon. I guess the powers thought his costume was more complimentary alongside Cap's classic look, but will always prefer the green and the gold.
Note: This post originally appeared at Rip Jagger's Other Dojo.
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Some great covers there - ones that would actually make potential readers want to buy the comics. How different from today, eh?
ReplyDeleteThe difference is simply one of intention. Those vintage comics we love had covers that served as advertising, they had to entice the reader to pick this comic over and above that comic and so they gave us not only compelling images but hints as to the story inside. Modern covers are pieces of art pure and simple, the need to advertise diminished by direct sales outlets with dedicated customers and there's often no connection between the cover and the interiors. They are still pretty but after a while they are sort of dull.
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