Thursday, April 5, 2012

One Hundred!


To celebrate the arrival of my one hundredth follower here is a gallery of one hundred hundredth issues. Centennial issues are always fun in comics, sometimes well marked and celebrated by the companies and sometimes overlooked, but always indicative of a comic which has proven to be durable and popular over a length of time. Many great comics never reach this goal. The only EC Comic on the list is Mad for instance despite that company's fine accomplishments. Gold Key never seemed to care what the number of a book was. Marvel usually paid attention, and sometimes DC did, but not always.

Here's the gallery, I hope you enjoy it. Marvel, DC, Fawcett, Quality, Archie, Harvey, Gold Key, Dell, Warren, and others are included, especially my beloved Charlton. And by the way, thanks to one and all for checking in here. I appreciate it.




































































































And let me take this time to thank the Grand Comic Book Database where most of these covers came from. I use that resource a lot, and I check it on a regular basis. Good work by good people.

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A Honker Headcount!


This curious early cover for Gold Key's Turok Son of Stone #31 is the work of George Wilson most likely. What is depicted is a menacing three-headed "honker", but one which seems oddly transparent in some ways. The cover relates to a notorious story titled "Valley of Dangerous Dreams" in which Turok and Andar encounter the fruit of a plant which conveys some powerful hallucinations, the tri-headed honker being one of them.


This artwork was later revised and reused for the cover of Turok Son of Stone #97. But this time the honker has only two heads, and the cover relates to a story titled "When a Star Falls" in which freakish mutated honkers are produced when a radioactive meteor falls into the Hidden Valley.


Above is the original artwork, and apparently what was done was that the original three-headed honker was revised directly on the original artwork, forever obscuring the image. Note how the transparent legs remain. It's a shame indeed, for today of course all of this could've been done digitally and the original artwork would've been spared. But then, like as not the great paintings by Wilson would not have been commissioned to begin with.

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Wednesday, April 4, 2012

Turok - Son Of Frazetta IV


Actually this first Turok cover is not a swipe of a classic Frank Frazetta image, but rather of a Conan cover from Lancer by John Duillo. Duillo did the Lancer Conan covers that Frazetta did not do, and there is a great similarity between the snake-monster from the Mexican Turok cover above and the Lancer cover below for Conan of the Isles.


Unfortuantely this Duillo cover and others were replaced by work from Boris Vallejo when Ace reprinted these Conan books. I rather like the Duillo stuff better myself.


This mighty tusker though is pure Frazetta and Turok here is facing off against a mighty foe.


The cover for Back to the Stone Age from Ace is one of my favorite Frazetta images, the dynamics are off the charts.

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Tuesday, April 3, 2012

Turok - Son Of Space!






The Mexican comic book covers above all promise Turok will face off against(or at least run away from)various UFO's and their sundry alien inhabitants. The only time I know of that Turok and Andar battled spaceships was in issue #58 of the Gold Key run when they confronted robots from space.

Turok Son of Stone #58

And while we're on the subject. The cover of issue #58 by George Wilson was later altered nad reused on issue #98, but not quite all of it. The alien robots are removed and the dinosaur altered, along with a new caveman victim and his raft.

Turok Son of Stone #98

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Monday, April 2, 2012

Goona To Skull Island!


Here's a King Kong oddity I just found out about in Ray Morton's book King Kong - The History of a Movie Icon. Walter Lantz, the creator of Woody Woodpecker among others, directed a King Kong cartoon spoof a mere six months after the release of the classic giant monster flick in 1933.


Starring Pooch the Pup and some extraordinarily robust ethnic stereotypes, this cartoon tracks the general scheme of the Cooper-Schoedsack classic pretty closely. Judge for yourself, here is King Klunk from Universal Pictures. And by the way, the phrase that's repeated so often "Goona-goona". See this link for more on that.




The lovely Fay Wray is right to be both shocked and dismayed by this.

And by the way, here is a link to a post from a few years ago which showcases the Disney spin on Kong.

"King Klunk" has been collected on Volume 1 of Woody Woodpecker and Friends Classic Cartoon Collection. See this link for details.

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Sunday, April 1, 2012

Pity The Fools!


The late Steve Gerber created many an interesting and famous character, but one of the most intriguing was Ross G. Everbest, self-titled "The Foolkiller".

The name was apparently inspired by an O. Henry story. Here's how that story begins...

"Down South whenever any one perpetrates some
particularly monumental piece of foolishness every-
body says: "Send for Jesse Holmes."

Jesse Holmes is the Fool-Killer. Of course he is a
myth, like Santa Claus and Jack Frost and General
Prosperity and all those concrete conceptions that
are supposed to represent an idea that Nature has
failed to embody. The wisest of the Southrons can-
not tell you whence comes the Fool-Killer's name;
but few and happy are the households from the Ro-
anoke to the Rio Grande in which the name of Jesse
Holmes has not been pronounced or invoked. Always
with a smile, and often with a tear, is he summoned
to his official duty. A busy man is Jesse Holmes.

I remember the clear picture of him that hung on
the walls of my fancy during my barefoot days when
I was dodging his oft-threatened devoirs. To me
be was a terrible old man, in gray clothes, with a
long, ragged, gray beard, and reddish, fierce eyes.
I looked to see him come stumping up the road in
a cloud of dust, with a white oak staff in his hand
and his shoes tied with leather thongs. I may
yet --"


For the whole story check out "The Fool-Killer".


Gerber's Everbest was a religous zealot who found his disappointment in the weakness in men too much to accept, so he turned murderer, using his "Purifier Gun" to extinguish at once the sin and the sinner.


He was dispatched by the Man-Thing in issues three and four of that muck-monster's first magazine, but alas rated no cover appearances.



Here's a look at his origin as written by Gerber and drawn by Val Mayerik.




The first cover devoted to the Foolkiller was actually to Greg Salinger, who became enamored of Everbest's cause in prison and adopted his secret identity and Purifier Gun to seek out foolishness of a more aesthetic and poetic variety.



Salinger battled the Defenders, Omega the Unknown, and Spider-Man before being committed to a prison for the insane. He though inspired the next Foolkiller.


Kurt Gerhardt became the Foolkiller and sought to become a purer Punisher type, taking out those he deemed to be criminally wasting their lives.


The Foolkillers even show up in the alternate future universe of 2099 where a man named Gideon becomes the last of the line.


In more recent years another name has been added to the Foolkiller line, a man named Michael Trace, who has appeared in the MAX line. This one seems unconnected to the other Foolkillers though.

The Foolkiller concept as derived originally by Gerber was a great notion, a comment on heroes and villains and how villainy often imagines itself to be doing the right thing. That makes the world a good deal more complicated for the do-gooders in general and the audience can find itself oddly sympathetic to the baddies they are automatically geared to reject.

Steve Gerber created lasting characters of real depth.

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