Mort Todd was an editor for Cracked Magazine, MAD's longtime rival during the 80's. A fan of monsters, he incorporated them into Cracked with great success as born out by the Cracked companion magazine Cracked's Monster Party. Then Todd went one step further and created Monsters Attack. According to Todd, he did this without the okay of his publishers and pushed out a few issues before they even knew. They put a halt to the magazine until they saw the sales numbers and then gave it the thumbs up after a half year layoff.
Todd wanted to create a magazine which was a synthesis of Famous Monsters of Filmland and Creepy. He succeeded, especially in the early issues. He tapped proven pros such as Steve Ditko, Gray Morrow, Pat Boyette, Gene Colan and even the reluctant Alex Toth. The latter didn't draw a new story for the magazine, but did offer up one he'd done for Charlton, but withheld due to the meager pay. (That story titled "Bookworm" was written by Nick Cuti and was given to Nicholas Alascia to draw. That story too is included in this collection for those who want to compare.) Todd took advantage of his position to ink a Ditko story, much to the story's detriment. Todd recognized his error thankfully and most of the Ditko stories are pure.
But things grew difficult as the final issues began to be produced. Todd eventually left after purchasing stories for the fifth and final issue, but he had little control of the magazine after that. Given that these two collections are titled "Mort Todd's Monsters Attack!", he does not include any work he didn't commission or played a key role in obtaining. Strangely that seemed to also apply to a Poe adaptation by Walter Brogan from issue two.
Here are the covers.
Rip Off
(Debut cover inspired by the first issue of Creepy.)
(Severin cover meant to evoke that Famous Monsters of Filmland vibe.)
(Another solid John Severin offering of a splitting headache.)
(Severin again, this time it's Godzilla based on an Aurora model.)
(A George Bush --not that one--painting of Karloff's monster.)
These are fun comics produced by an editor who was rich with youth and energy, tapping veterans who were in need of a place to create.
One great detail I never noticed is that the "Attack!" part of the title was copied from the vintage Charlton classic Fantastic Giants which celebrated the work of Steve Ditko.
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