Rip Jagger's Dojo: Steve Ditko - Unexplored Worlds!

The second archives volume of early Ditko comics from Fantagraphics is titled Unexplored Worlds. This is work by Steve Ditko after the advent of the Comics Code of America, and so the work is of a more benign nature than that which had preceded it. These are light stories, often little morality dramas and not unexpectedly upbeat endings. Comics now existed in a world in which the good guy wins or at the very least the bad guy is properly punished. There had been plenty of punishment before, but just as in real life the relative goodness of an individual didn't necessarily preclude bad outcomes. [It should be noted that two of the stories in this volume are from Atlas (not yet Marvel) Comics produced for Stan Lee in a short period when Charlton Comics was out of business due to a devastating flood which destroyed the plant. I'll have more to say about Ditko's Marvel work in this era in later posts.]

The early stories in this volume are light science fantasy, tales of a doughty space hero and his ubiquitous gal sidekick as they confront outer space menaces and always come out on top despite overwhelming odds. They win because they deserve to win. Alongside these are many tales of men who behave badly but just as often as they are punished for that disregard for ethics and the Golden Rule are often forgiven and brought back into society having been chastised. Sometimes greedy bastards get theirs, but usually they learn the error of their ways. These stories are likely written by Joe Gill, the scripting machine who made Charlton Comics operational for decades. I've said before that I assumed as a teenager that Joe Gill was a house name and not a real person, but when I learned differently, I bowed before his stunning industry and found his prodigious output humbling.

Now the Steve Ditko who drew these stories is a more mature artist. He is older, wiser and chastened possibly by a brush with death. He contracted tuberculosis at about the time the comics industry contracted and spent a year convalescing at his Pennsylvania family home under the care of his parents. When he was finally strong enough to rejoin the workforce, he found Atlas (Marvel) waiting but they did not offer enough quantity of work and so once again he headed for Connecticut and Charlton Comics. This was a Charlton recovering from a flood and despite some likely shenanigans with public funds, they plead poverty and cut their rates making their staff even more eager for work. Men like Gill and Ditko were ready.

As this volume closes, we meet The Mysterious Traveler, a ghost host with a radio history. More on him next time Here are the Ditko covers collected in this volume.