Without doubt one of the most significant series of comics in the history of the medium are those featuring the team of Green Arrow and Green Lantern as written by the late great team of writer Denny O'Neil and revolutionary artist Neal Adams. These stories famously brought a new sense of realism and relevance to a form which was then as always looking for new ways to connect with an ever-diminishing audience.
I want to take some time and take a closer look at these important and finely crafted stories over the course of the next several weeks. But as with many a story, the beginning is not always where you expect, and that's the case here.
Green Arrow, created by Mort Weisinger and George Papp debuted in the Golden Age pages of More Fun Comics. And for many years following the team of Green Arrow and Speedy battled crime with bows and quips with a nod to the classic heroics of the legendary Robin Hood. They were a somewhat lackluster duo who nonetheless managed to stay in print throughout the years, something only Superman, Batman, and Wonder Woman accomplished. They even were part of the Seven Soldiers of Victory along with other DC small-timers.
For a short time, the great Jack Kirby took over the series and gave powerful sci-fi juice to the feature which ambled around from More Fun Comics to Adventure Comics to World's Finest Comics.
There were efforts to keep Green Arrow in the public eye with membership in the Justice League of America and later shots at team-ups in The Brave and the Bold.
But nothing seemed to make the Emerald Archer step out from among his peers and never did he ever headline his own comic.
That is until budding superstar Neal Adams got his mitts on the character in The Brave and the Bold #85. In a story scripted by the always reliable but often peculiar Bob Haney, Oliver Queen dons a new costume and grows his famous beard for the first time.
Immediately he goes from a drab Robin Hood wannabe to a slick modern hero who is as potent as his arrows if not more so. I immediately loved this version of Green Arrow and I wear a beard today because as a boy his magnificent golden goatee spoke to my vanity.
(Unused art by Adams was used just this past year as a cover for Alter Ego.)
The story is a typically offbeat Haney affair with both Batman and Green Arrow revealing their secret identities to the same psychiatrist. Both heroes are torn between their costumed responsibilities and the seemingly greater good they can do as their rich high-profile roles as Bruce Wayne and Oliver Queen. Wayne has been made a stand-in Senator who has a crucial vote for a necessary crime bill and Queen has a development which is crucial to the welfare of countless down and out citizens. Both are blocked by a villainous tycoon. Ultimately both manage to fulfill both roles successfully and realize that they can best help the world as both citizens and heroes. The psychiatrist conveniently uses hypnosis to wipe his memory.
Later in Justice League of America #75, Denny O'Neil plays with the personality of Green Arrow, making him much more irascible and committed to the needs of the common man and woman.
This is in no small part to the fact that Oliver Queen has lost his own fortune. The rich all too often live in the clouds, untouched by the rigors of daily existence and they often as well from facing up to uncomfortable realities until it strikes their own. Oliver Queen is humbled and from that experience rises a warrior for the downtrodden. After decades of wandering, the Green Arrow had found his way forward as a man and a hero.
More lean green adventuring next week as Hal Jordan hits a rough spot too.
This is a verdant vintage Dojo post.
Rip Off
Rip Off
No comments:
Post a Comment