The fourth issue of Hercules from Charlton is dated June 1968, several months after the previous issue. It is the last issue edited by Dick Giordano and probably this shake-up is the reason for the delay.
The Hercules story is titled "Land of Menace" and is attributed to Serius O'Shaugnessy (Denny O'Neil) and is drawn by Sam Glanzman (who signs his work here and in previous issues as "S.J.G"). The issue begins with a splash of Hercules battling what appear to be green flying monkeys.
The story itself starts with Hercules walking through a storm and seeking shelter in a cave. In the cave in the smoke of his fire Zeus and Hera appear. Hera reviews the successes Hercules has had battling the Nemean Lion, Gerion the Three-bodied Giant, and Cerberus of the Underworld. She then offers up a fourth task, to get her something to eat. She wants Golden Apples only found in the other-dimensional world of Nul. She opens a portal for Hercules and tells him he has three days. He leaps into the portal and moves through a psychedelic zone to come out in a desert landscape. He starts to eat some of what looks like a giant cactus but the plant attacks him and he has to uproot it. Then his attention is taken by young boy crying for help, but this turns out to be a Harpy in disguise. The Harpies look like green flying monkeys with spikes for hair. Hercules battles many of these Harpies before being overcome by a magic net that puts him to sleep. He's taken before King Poov, leader of the Harpies and is told he will be a slave. Hercules takes Poov's staff and shatters the light escapting into the desert. There he meets a giant named Atlas who is chained and holding up a giant stone slab to give shade and protection to the Harpy village. Meanwhile the Harpies uncork a magic urn filled with weapons and attack Hercules again with exploding rocks. Hercules throws the chain of Atlas into one of these rocks and frees the giant. Then Atlas takes the slab and covers the mouth of the cave in which the Harpies dwell. A fire leaks out of the magic urn and destroys the Harpies. Atlas then takes Hercules to the Golden Apples and then tells him that time is different in Nul and he's almost out of time and throws him through the portal before it closes. Hercules returns with the prize much to Hera's displeasure but Zeus is very happy.
The text story this issue is titled "The Goddess of Mercy" and tells of a wicked warrior named Nicherin who steals a jewel from the Goddess of Mercy and summarily punished for his impudence transforming him into a tiny stone statue.
"Letters to the Editor -- Hercules" features four letters, two by Canadians. There is the usual praise for the Hercules and Thane of Bagarth and recommendations. One letter writer would like to see Son of Vulcan replace Thane of Bagarth but the editors reject this idea and point out that reading nothing but superheroes would be dull. There is a great little thumbnail portrait of Hercules by Glanzman done in a more realistic style.
Thane of Bargarth is titled "Chapter Four: The Galley" and is written by Steve Skeates and drawn by Jim Aparo. The story starts with Hrothelac captured by Vikings and chained aboard a Viking galley as a slave. After several lashes of the whip he begins to row. The leader of the Vikings is Figlaf and he imagines where they are headed, a new world beyond the great ocean and he wishes to explore it for his king. Hrothelac dispairs. Meanwhile King Beowulf seeks out a Hag who can tell the future who reveals to him in magic mists that Eowanda the new Thane of Bagarth will lead Beowulf's forces in battle and get great fame. Beowulf is at once confused and threatened by this prediction. He rides back to his castles as Hrothelac suffers under the lash. A storm is building as the chapter closes.
There is also a house ad for Charlton's war books.
This issue is a real milestone for me personally. This is one of my very first comic books. I knew Hercules from myth and loved this grand tale blending the story of the Golden Apples. O'Neil and Glanzman do a wonderful job telling this story and giving it some new twists. Atlas is magnificent and the full page panel revealing him is very dramatic. Today these panels are commonplace but then not so much, especially in a Charlton book. The Harpies evoke the flying monkeys of the Wizard of Oz and are very creepy. The story has a wonderfully brisk pace. This is a great comic book, and arguably the best installment of the series. I didn't know when I was reading this way back when, that it was the end of a great era at Charlton with the departure of Dick Giordano, a name I would see again over at DC.
This story was reprinted in Charlton Classics #4.
More to come.
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