Monday, January 5, 2015
King's Secret!
Found these teaser images for the Dynamite comics featuring a whopping crossover story starring the vintage King Features characters Flash Gordon, Mandrake the Magician, Prince Valiant, The Phantom, and Jungle Jim. Darwyn Cooke's imagery fascinates even while incomplete.
Should be fun I hope, though Dynamite has a way of letting you down.
More tomorrow.
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Sunday, January 4, 2015
OMAC #2 - The Super Rich!
OMAC Vol.1 #2 is dated December, 1974. Jack Kirby as usual supplies the writing and artwork for the issue but this time a new inker steps in to grace the linework. Bruce D. Berry takes the place of Mike Royer who was seeking a break from the deadlines working on Kirby's multitude of pages required.
In this story OMAC follows up on his mission begun in the debut comic and seeks Mr.Big. To that end he heads to Electric City but is stopped by armed guards who claim the city is shut because the super-rich Mr.Big has bought it for the night.
OMAC reacts with his usual plow-ahead lack of restraint and quickly overcomes the guards. Then he is picked up by a peculiar pair dressed as a Clown and a Skeleton who appear to party-goers headed for the big night in the city. They drop OMAC off but then follow him secretly.
OMAC seeks out Professor Myron Forest, the genius behind his creation and the builder of Brother Eye, the orbiting satellite which remotely transmits power and more to OMAC to allow his powers to function.
The Clown and the Skeleton reappear though and murder Professor Forest, but fail to kill OMAC who follows them to their meeting with their boss Mister Big.
Mister Big has hired the entire city as a cover to hide his plot to kill Forest and OMAC, trying to end a threat to his power before it becomes greater.
OMAC appears and tries to take Big into custody but a citywide battle erupts which ends in the apparent death of OMAC. His body is taken to Big by Skeleton and Clown but they are surprised when the GPA (Global Peace Agency) appears to take them into custody, the evidence their own confessions recorded by Brother Eye when OMAC's body was brought to the location. OMAC's death was a ruse as his vital signs were reduced to a level undetectable by regular scans and so he is awakened ready to pursue the next mission given him and Brother Eye by the GPA.
The idea of a super rich culture which lives apart from the context of the broader society, a group so wealthy that normal laws and restraints have little effect, is certainly resonant in the modern day. The gap between the rich today in the world and the greater population has indeed created different worlds, worlds in which the rules of civilization are threatened.
Mister Big here is the classic miser figure, the ultra-rich criminal who lives free of fear of normal police, a man who sneers at the law. He is the essence of what makes a society of based on fundamental fairness difficult to maintain. As presented here, OMAC is the counterbalance, an attempt by the world to rein its criminal element.
More to come next week in the second OMAC weekend. Be here.
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Saturday, January 3, 2015
OMAC #1 - The World That's Coming!
OMAC Vol.1 #1 is dated October, 1974. Created, written and penciled by Jack "King" Kirby, this is the last series he would create to fulfill his contract with DC Comics, the tectonic contract that rocked the comics world some few years before when the architect of most of the Marvel Universe shifted his attention to new epic creations. The debut story is inked by Mike Royer.
The story begins at its climax with the spectacular splash page featuring the enigmatic "Lila", a product of the "Build-a-Friend" program.
In the two-page splash that follows we meet OMAC for the first time in the story as he storms the factory which is making and shipping "women". It's one of the most bizarre and unsettling images ever concocted by Kirby and lingers in my mind to this day.
We see the end of Lila and her fellow creations in a fantastically dramatic explosion created by OMAC as he fulfills his mission.
We first meet OMAC before his tranformation when he's merely "Buddy Blank" a small timid man who works for the Pseudo-People Corporation and is picked on by his co-workers and demeaned by his boss who orders him to rid himself of his feelings of persecution by visiting rooms in which stress is released by unleashing dangerous emotions such as anger and grief. He has been hand-picked by the GPA (Global Peace Agency) which uses faceless operators from across the world to become the subject of Professor Myron Forest's great project which includes a secret orbiting satellite called "Brother Eye".
Unfulfilled by his time in the emotion rooms, Buddy encounters his friend "Lila" (who we already know to be an android) and follows her and her handlers into the secret basement of the company where clandestine criminal activity is bristling. It seems the pseudo-people are sometimes sent to unsuspecting customers with bombs in them and murder for hire is a sideline of the firm.
Suddenly Buddy is charged from above by Brother Eye and becomes OMAC (One-Man Army Corp) for the first time. He attacks the thugs who guard this racket and as we've already seen destroys the factory.
As the story ends we OMAC learns of his secret partner Brother Eye and of his new mission to seek out those behind the murder plot he's just ended, Mister Big.
OMAC is a project which had been in Kirby's noggin for some time, even before his DC days when he first imagined a Captain America of the future. Nothing came of it at Marvel so he dusted off the concept and reworked it for his DC finale. It's a short but memorable addition to his DC legacy and has become a highly useful part of the greater DC universe after the King's departure, as was the case with nearly all his creations. Many a modern "great" got his spurs revisiting Kirby's bright ideas.
The future we see is a rather grim one, with an Orwellian spin of powerful corporations and ultra-rich criminals who plague a world which must defend itself on a global basis. Trilateral Commission fanatics must see their nightmares made vivid by the GPA, a gang of faceless agents from a multitude of countries who fight the criminal capitalists who have taken control of a world which can no longer stand for large armies for dread of nuclear devastation. I'm reminded of the modern way in which relatively small teams of elite commandos wage the "Long War" against terrorism, effective when large armies actually might do more harm than good, despite what John McCain might say.
Buddy Blank's world is also one in which human contact seems to have been minimized and reliance on technology seems paramount. Certainly our modern culture which chokes everyday on the glut of social media can find some footing in Kirby's nightmare future. (Glad to add my woeful dollop to the morass by the way.)
OMAC was the last but still potent.
More to come tomorrow.
Friday, January 2, 2015
OMAC #0 - The One-Man Army Corp!
January is a big month for OMAC at the Dojo. Every Saturday and Sunday this month look for two reviews of vintage Jack Kirby OMAC comics. Produced at the end of Kirby's contract with DC, the comics nonetheless bristle with the energy and inventiveness we always associate "The King".
Here is OMAC's Who's Who entry featuring the artwork of Jack Kirby inked by Greg Theakston.
Be here next time for the kick off of OMAC weekends at the Dojo.
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Labels:
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OMAC
Thank You For Your Service!
It's been a remarkable turn of events. The other evening I was watching the news, CNN I think it was, when just before an anchor began an interview with a police officer concerning the New York City matters, she said to him "Thank you for your service."
I was a bit stunned to hear that line which became popular when military veterans began to return from serving in first Afghanistan and later Iraq. It became de rigueur for folks to begin any conversation with any vet with that pro forma line, as if to suggest they didn't realize how much their time effort was respected. I suspect that in the afterglow of the 9-11 attacks when all things military became shiny again after decades of suffering a motley reputation, that in order to distance the new way forward from the bad old days of Vietnam when vets were indeed disrespected, a phrase was instituted to suggest these were not those times. But like lapel flags the lines quickly lost their deeper meaning and sounded increasingly hollow as they were repeated time and time again.
One vet discussed this with me and said that he didn't really like the line. He understood why folks said it, and appreciated the sentiment but felt it was misplaced. People didn't really serve in the military to do anyone a favor for which they should be thanked particularly but served because they felt a duty needed to be fulfilled. I got the impression he felt the line allowed folks to shift off their own responsibility with a callow phrase much like some folks throw a dollar at a beggar to make ourselves feel better less than to truly help a needy fellow citizen.
I'm conflicted on the matter, but I see both sides...at least in terms of military service.
But to say that to a police officer is a step too far for me. It suggests a mindset which sees cops as domestic soldiers holding at bay some dimly defined threat which is all too eager to ravage society. People complain properly that the police have become too much like the military and far less the men and woman who "protect and serve". That last part gets left off in many discussions.
Being what is commonly understood to be a law-abiding citizen my only interactions with the police are as distant adjudicators of my driving habits and guys I line up behind in the local gas-and-shop store. They are friendly enough, but then I'm a white guy living in an overwhelmingly white community. I'm as dull as dishwater in my daily habits and unlikely to draw attention, good or ill from the local constabulary.
But I know it's not the same for everyone. Being black or hispanic in my community is a challenge, because everyone stops and takes notice since so few darker faces are among the rank and file. No one is actively rude or openly hostile, but it's all too plain that underneath there is an awareness of difference. That's a shame, but it's a reality.
So when the mayor of New York City says something which no one actually thinks is untrue, that his black son should be wary when interacting with the police, I am awestruck that folks choose (and I mean "choose") to get offended on the behalf of the police. Particularly those on the right of the political spectrum who somehow feel that to not always support the police in every matter is to actively undermine them in all matters. It's foolish thinking.
I also note that of all the unions in the United States apparently the only good ones are the police unions. Public unions are the ruination of one metropolis after another according to some right-wing pundits, but apparently the police unions get a pass, not unlike the military when it comes to the federal government. The right has succeeded, after long decades of alienating the people from their government which serves them, making of it an enemy, but always set aside for special consideration is the military. Curious that distinction, and troubling.
We are a society which is in danger of ignoring our responsibility to govern ourselves and support the institutions set up to make that possible, but to do so always with a keen eye to making them better, more effective, more efficient, and more responsive. That includes all aspects of government, including the military on the federal front and the police on the local and state levels.
Thank them for their service indeed, but see to it that they serve as they ought.
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Thursday, January 1, 2015
King Features!
2015 is the 100th anniversary for King Features Syndicate. All this month look for a different King Features character in the Favorite Cover box to the right and when I'm not yakking about OMAC it will be King Features stuff exclusively. I am a monster fan of Lee Falk's The Phantom and to a lesser extent Alex Raymond's Flash Gordon and Falk's other hero Mandrake. But other King Features characters are faves here also like Elzie Segar's Popeye and Mort Walker's Beetle Bailey.
The comic strip has diminished for the most part in our modern world, but at the turn of the 20th Century the power and influence wielded by these colorful additions to the newspapers of the world could hardly be underrated. The first part of the last century was the heyday of the comic strip but as with most things it lost its grip in the face of newer and fancier diversions.
But here at the Dojo we want to take time and remember a time when comics were King.
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Happy New Year!
Happy New Year to one and all.
It's that time when we should reflect on what has been and cast our hopes forward for what might be. This past year has been by and large a pretty good one for me and mine. Stability at long last has settled in after several years of economic and medical turmoil. My wife and my daughters seem pretty happy and that makes me really happy.
As for the Dojo, there are some fun things coming up this year. I've been invited to do a little writing in another venue and as part of that project you will see some of the fruits of the research here. That's properly obscure, but suffice it to say it fits in perfectly with what already is the norm.
I had thought I might cut down on my posts here during the past year and that has indeed been the case, but still something new has appeared each day. I'd imagine that will continue in the coming year also. Over this past year too I've been letting my personal opinions invade the Dojo more and more, and I hope this doesn't upset anyone. I don't mean to be exclusive in expressing my opinions, but sometimes events demand a response and this happens to be my forum. I won't abuse it, as that's not the purpose of this blog, but I don't doubt I'll have something to remark upon as the year unravels.
All in all it's been a pretty good 2014 and I look forward to 2015 for more of the same.
Happy New Year!
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